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DEAR NEW FRIEND

Name: DEAR NEW FRIEND
Author: Taraneh Matloob
ISBN: 9781636551463

by Taraneh Matloob ; illustrated by Alida Massari ‧ RELEASE DATE: March 11, 2025

A warm and most welcome invitation.

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A Persian child welcomes a guest.

“I am excited to have you come over,” the young narrator says. “Knock with the secret knock only we know.” The dark-haired, brown-skinned protagonist appears on the left side of the spread, doodling grass that transforms into a red brick path that continues onto the right side. A light-skinned, freckled, red-headed child walks along the path to the house. With matching smiles, the two children enjoy Grandma’s cooking, pick watermelons in the backyard (and spit out the seeds), peek in at Dad weaving a new rug, and play Tileh, a game involving marbles. Throughout, the narrator addresses the friend; readers, especially those unfamiliar with Persian traditions, will feel lovingly embraced, as though they, too, are being invited to enjoy Grandma’s walnut cookies or to flick a marble of their own. Filled with symmetric floral details reminiscent of Persian rugs, the stylized illustrations make sumptuous use of blue. An especially arresting spread shows outstretched hands intertwined with budding flowers and birds—a tribute to Dad’s weaving. The child shares a Persian aphorism: “A well-made carpet becomes more good-looking as the years go by.” Sumptuous art is paired with spare text, while backmatter on Persian words and rugs and an author’s note provide a neat coda.

A warm and most welcome invitation. (Picture book. 4-8)

Pub Date: March 11, 2025

ISBN: 9781636551463

Page Count: 32

Publisher: Red Comet Press

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

Categories:

CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IMANI'S MOON

by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

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Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)