Be afraid. Be very afraid.
A tragicomic novel of environmental apocalypse in which no matter how bad things get, there’s worse to come.
Cat is a recent transplant from California to southern Florida, exchanging the threats of drought and wildfire for hurricanes and flooding. Well past adolescence but too young for middle age, she’s attempting to get her life on track, hoping to become a viral influencer. A creature of impulse (this novel sees the creature inside every human), she wanders into a store selling snakes and finds herself smitten by a baby Burmese python. She knows it will eventually grow bigger, but right now it is the perfect fashion accessory to drape around her arm and neck. And Cat really isn’t the type to think things through. Boyle knows what should happen when you put a woman and a snake in a place once considered Eden, and, soon enough, all hell breaks loose. Or maybe not quite soon enough, for there is some plodding and padding before the plot really takes off. Though, when it does, the breathless momentum matches the tonal command, which walks a tightrope between darkest humor and truly horrifying. Beyond snakes, droughts, floods, and fires, there are ticks, termites, heatstrokes, amputations, and a huge social media backlash as Cat learns that celebrity has its downside. She has become “Python Mom” (and her brother is “Bug Boy”). To reveal too much plot would spoil the suspense, but the rituals once celebrated and the routines taken for granted—dating and mating, weddings, dinner parties, going to work or for a drive, a swim, or a drink—are all potentially fraught with terror. Yet so much of this is so funny, in a twisted sort of way. At one point, a character describes the novel he’s reading as cli-fi, and this novel might fit that category as well. Yet it doesn’t so much imagine a climate future as awaken us to today’s.
Be afraid. Be very afraid.Pub Date: May 16, 2023
ISBN: 9781324093022
Page Count: 384
Publisher: Liveright/Norton
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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