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THE BATHYSPHERE BOYS

THE DEPTH-DEFYING DIVING OF MESSRS. BEEBE AND BARTON

From the Unhinged History series

Per the series promise, a slightly “unhinged” celebration of daring diving developments.

A rhyming account of the invention of the bathysphere.

Fascinated by the ocean depths, Will Beebe dives in to invent a way to explore beyond the shallow depths that diving equipment of the 1920s allows. His designs and “silly proposals and doodles” from other inventors go “straight to the trashcan,” however, until Otis Barton gets involved. Barton, an engineer, “[has] his heart set on—PLOP!—disappearing / Beneath the sea’s surface and breaking all records / For deepness” and knows that Beebe’s “soda-can shape” will crumple under deepwater pressure. Beebe adopts Barton’s stronger, spherical design, and, luckily, Barton’s family is rich enough to fund its construction. Despite personality clashes, minor design failures, seasickness, and the Great Depression, Beebe and Barton create a two-person vessel that descends almost a half mile. Today, the original bathysphere is displayed outside the New York (City) Aquarium. Next to Barb Rosenstock’s prose account in Otis & Will Discover the Deep (illustrated by Katherine Roy, 2018), Enik’s playfully rhyming couplets feel lightweight, but the backmatter, which includes the bathysphere’s schematic, a timeline of human diving progress, and a biography of Gloria Hollister (the first mate and recorder on deck), provides some heft. Cartoon illustrations portray Beebe, Barton, and Hollister as white adults.

Per the series promise, a slightly “unhinged” celebration of daring diving developments. (Picture book. 5-8)

Pub Date: Sept. 28, 2019

ISBN: 978-0-7643-5793-0

Page Count: 48

Publisher: Schiffer

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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I AM RUBY BRIDGES

A unique angle on a watershed moment in the civil rights era.

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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A PLACE FOR RAIN

Enticing and eco-friendly.

Why and how to make a rain garden.

Having watched through their classroom window as a “rooftop-rushing, gutter-gushing” downpour sloppily flooded their streets and playground, several racially diverse young children follow their tan-skinned teacher outside to lay out a shallow drainage ditch beneath their school’s downspout, which leads to a patch of ground, where they plant flowers (“native ones with tough, thick roots,” Schaub specifies) to absorb the “mucky runoff” and, in time, draw butterflies and other wildlife. The author follows up her lilting rhyme with more detailed explanations of a rain garden’s function and construction, including a chart to help determine how deep to make the rain garden and a properly cautionary note about locating a site’s buried utility lines before starting to dig; she concludes with a set of leads to online information sources. Gómez goes more for visual appeal than realism. In her scenes, a group of smiling, round-headed, very small children in rain gear industriously lay large stones along a winding border with little apparent effort; nevertheless, her images of the little ones planting generic flowers that are tall and lush just a page turn later do make the outdoorsy project look like fun.

Enticing and eco-friendly. (Picture book. 5-7)

Pub Date: March 12, 2024

ISBN: 9781324052357

Page Count: 32

Publisher: Norton Young Readers

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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