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MARTIN VAN BUREN

Well written and sensible—especially when Widmer notes that “it’s antidemocratic to expect all of our leaders to be great.”...

Pity poor Martin Van Buren: reviled in life, ignored in death, undistinguished enough that biographers have had a hard time finding much to say about him. Until now.

Clinton administration advisor Widmer (Young America, 1999) reckons that Van Buren will always be considered one of our lesser leaders: “His presidency [1837–41] produced no lasting monument of social legislation, sustained several disastrous reversals, and ended with ignominious defeat after one short term.” Van Buren is unknown today, Widmer adds, mostly because no one is looking for him, a lost figure in the years between the War of 1812 and the Civil War. He was well known in his day, however, and even though always something of an outsider, the first of the non-Anglo presidents, a native speaker of Dutch and of humble origins, Van Buren forged a new Democratic Party made up of southern planters, New York financiers, and New England industrialists alike. Such a broad constituency, however, forced the president into many compromises: Though he didn’t quite oppose slavery, for instance, he quietly supported certain civil rights for African-Americans. (Too quietly, it appears: In 1839, he issued an executive order demanding the return of rebellious slaves to their Spanish owners, an act making him a villain in Steven Spielberg’s film Amistad.) As a result, both northern abolitionists and southern slaveholders came to mistrust Van Buren, who, Widmer insists, had other virtues: He refused to invade Texas, championed the cause of the urban poor, and advanced ideas that would cause historian Frederick Jackson Turner to consider him an architect of progressivism. Yet Van Buren also presided over the ruinous Panic of 1837, and he failed to push through his pet reform—to create an independent treasury. Though crafty and diligent, in the end not even the seasoned politician dubbed the “The Fox” could weather all the storms that sank his administration.

Well written and sensible—especially when Widmer notes that “it’s antidemocratic to expect all of our leaders to be great.” Q.E.D.

Pub Date: Jan. 5, 2005

ISBN: 0-8050-6922-4

Page Count: 192

Publisher: Times/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2004

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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