A tense teen thriller that is half mind-game, half misery lit—call it 50 Shades of Grey Area.
Predators become prey in this private school novel.
Kate O’Brien is the new scholarship student at Waverly Academy in New York City, but she’s also a seasoned con artist armed with the Diagnostic and Statistical Manual of Mental Disorders, and she intends to do anything and use anyone in order to get away from her past and into Yale. Kate targets Olivia Sumner in order to get out of poverty and in with the popular girls, but she finds her cold calculations tempered by friendship. Kate’s first-person narration proudly details her manipulative methods (with flashbacks to a traumatic childhood that offers motive), while the third-person voice in Olivia’s chapters goes from detached to disjointed as she pops Ativan like Altoids but slowly spills her secrets. Kate and Olivia, both white, think they can swim with the sharks, yet both are outclassed when a man complicates matters, and only Kate can see the sociopath beneath the suave charm. Shallowly drawn schoolmates are also saddled with enough psychological issues to fill Kate’s beloved DSM but otherwise fulfill rich-girl, private school stereotypes and provide background color. Toten’s use of sexual predation and parental abuse as plot devices is problematic, but she also delivers a social-climbing satire with a ridiculous resolution, making for a reading experience that feels simultaneously riveting and like rubbernecking.
A tense teen thriller that is half mind-game, half misery lit—call it 50 Shades of Grey Area. (Thriller. 14-18)Pub Date: May 31, 2016
ISBN: 978-0-553-50790-4
Page Count: 336
Publisher: Delacorte
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
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BOOK TO SCREEN
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