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HARK!

THE AARDVARK ANGELS SING

With the holiday season bringing its usual mountains of mail, squads of cloud-dwelling aardvarks in snappy blue uniforms swoop down on stubby golden wings to give busy postal workers an assist in this knee-slapper from the author of Farmer Brown Shears His Sheep (2000). In festively hued watercolor scenes, the aardvarks fly cheerfully from desert to bayou to space station, picking up and delivering in all weathers (or lack thereof), then, when their work is done, returning to their billowy home to check out the gifts and cookies. Sloat models the rhymed text after a certain familiar hymn, even recapitulating the new lyrics with a musical arrangement at the end—“Angels wind through jungle trees, / Gather mail from underseas, / Come in answer to the prayers, / Of the mailmen climbing stairs. / Hark! The aardvark angels bless / Mail without a street address.” There seems no end to the making of Christmas stories, but this one will stick with readers, if only for its outstandingly daffy premise. (Picture book. 6-8)

Pub Date: Sept. 1, 2001

ISBN: 0-399-23371-7

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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