Sharp-edged humor—and wonderfully executed.
Pratchett satirizes the modern telecom business in a deeply satisfying comedy about a man sent to a fate worse than death: the post office.
Fans of Pratchett’s Discworld series will be happy he’s returning to the city of Ankh-Morpork—after the Balkan War–esque madness of Monstrous Regiment (2003)—though it’s not to the familiar environs of the Watch or Unseen University. This time, Moist Von Lipwig, a scam artist with a host of aliases, has just been hanged for his crimes—except that he hasn’t, due to some trickery with the rope. It seems that the Duke wants a man everybody thinks is dead to take over the city’s long-moribund post office. That’s no easy task, what with only two employees left, both pretty much insane, puttering around the massive, dead-letter-stuffed edifice, not to mention the competition with the clacks towers. Pratchett follows Moist’s attempts to resuscitate regular mail service as he goes up against the evil hegemony of corporate toadies running the clacks towers, a once-impressive series of semaphore towers that, when they work, can send a message hundreds of miles in no time at all, but at a hefty price. With the exception of a few heavy-handed statements about the public good versus private profit, Pratchett slides the satire in around the edges of the primary action: watching a career criminal transitioning rather quickly to earnest civic flunky, all under the watchful (glowing red) eyes of a monstrously powerful and patient government-employed golem. Although Moist seems a little too eager to leave his bad ways behind, it’s almost shamefully enjoyable to watch him restore the mail routes, invent the idea of stamps, and go toe-to-toe with everything from rapacious businessmen to bloodthirsty banshees as he shows how to deliver letters over 40 years late.
Sharp-edged humor—and wonderfully executed.Pub Date: Oct. 1, 2004
ISBN: 0-06-001313-3
Page Count: 384
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2004
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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