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MONSTROUS REGIMENT

Surprisingly meaningful but never short of hilarious: a monstrous success for Pratchett.

Twenty-ninth in Pratchett’s Discworld series (Night Watch, 2002), kicked off twenty years ago with The Color of Magic.

Proud of nothing but the fact that they’re Borogravians, the inhabitants of said Borogravia produce no desired exports, worship a god with a predilection for making insane pronouncements, and have a tendency to declare war every so often on each of their neighbors just for the hell of it. This time out, Pratchett takes the reader far from the series’ usual setting—the mercenary, madcap town of Ankh-Morpork—and instead sets the story in this Balkans-esque madhouse during yet another war in which Borogravia is being ganged up on by just about all of its neighbors. As an Ankh-Morporkian puts it: “The little countries here fought because of the river, because of idiot treaties, because of royal rows, but mostly they fought because they had always fought. They made war, in fact, because the sun came up.” The “Monstrous” regiment in question is a band of Borogravian recruits marching off to the front line, unaware that the war has pretty much already been lost. It’s a ragged and seemingly unsoldierly group, too. Polly, Pratchett’s hero, is a young woman disguised as a man who’s looking for her simple-minded brother Paul, who signed up already and whom she fears dead. There’s also Maladict, a recovering vampire who hasn’t drunk blood for quite some time now, tank you very much. Filling out the ranks, meanwhile, are Igor (a Frankenstein-like creature with an exaggerated lisp), a giant troll, and a sergeant so ancient and war-ravaged that calling him “crusty” barely covers it. As usual with Pratchett, the plot wanders off into the bushes every 30 pages or so just to have a look around and see whether anything funny is going on. Fortunately, something usually is, thanks to Pratchett’s droll satire that isn’t afraid to stoop to things like cross-dressing to get a giggle.

Surprisingly meaningful but never short of hilarious: a monstrous success for Pratchett.

Pub Date: Oct. 1, 2003

ISBN: 0-06-001315-X

Page Count: 368

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2003

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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