by Tess Lemmon & illustrated by John Butler ‧ RELEASE DATE: Aug. 1, 1993
In handsome oversize format, a look at gibbons, gorillas, chimpanzees, and orangutans. The descriptive text explores habits, anatomy, and life cycle; beautifully detailed paintings—creatively intermixed with the text without the welter of sidebars, boxes, and so forth that frequently disfigure nonfiction—show apes leaping, climbing, sleeping, playing, or nursing in their forest habitats. There's a brief section on conservation, plus capsule reports on three people who have worked to protect these endangered animals. While relating much that's of interest, the text is not especially precise or detailed: ``The siamang [gibbon] is bigger than any of the others, and almost twice as heavy''—but how big? How heavy? ``Big ears help chimpanzees to hear well,'' but orangutans are shown with small ears—is their hearing poor? Lemmon doesn't say. An attractive purchase, nonetheless, for nature browsers. An endpaper world map shows the apes' limited ranges. (Nonfiction. 7- 10)
Pub Date: Aug. 1, 1993
ISBN: 0-395-66901-4
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Megan McDonald & illustrated by Peter Reynolds ‧ RELEASE DATE: Aug. 1, 2002
McDonald’s irrepressible third-grader (Judy Moody Gets Famous, 2001, etc.) takes a few false steps before hitting full stride. This time, not only has her genius little brother Stink submitted a competing entry in the Crazy Strips Band-Aid design contest, but in the wake of her science teacher’s heads-up about rainforest destruction and endangered animals, she sees every member of her family using rainforest products. It’s all more than enough to put her in a Mood, which gets her in trouble at home for letting Stink’s pet toad, Toady, go free, and at school for surreptitiously collecting all the pencils (made from rainforest cedar) in class. And to top it off, Stink’s Crazy Strips entry wins a prize, while she gets . . . a certificate. Chronicled amusingly in Reynolds’s frequent ink-and-tea drawings, Judy goes from pillar to post—but she justifies the pencil caper convincingly enough to spark a bottle drive that nets her and her classmates not only a hundred seedling trees for Costa Rica, but the coveted school Giraffe Award (given to those who stick their necks out), along with T-shirts and ice cream coupons. Judy’s growing corps of fans will crow “Rare!” right along with her. (Fiction. 8-10)
Pub Date: Aug. 1, 2002
ISBN: 0-7636-1446-7
Page Count: 160
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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