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AFTER THE FUNERAL

AND OTHER STORIES

A pleasure to read, with characters and themes that linger long after the final page.

Families come in many varieties, all of them equally fraught, in a dozen new stories from British writer Hadley.

Feckless bohemian parents get withering portraits in “My Mother’s Wedding” (not her first, needless to say) and “Funny Little Snake”; the latter is a particularly poignant tale of a neglected 9-year-old girl and a second wife who reluctantly comes to feel responsible for her. These two stories, like many in the collection, stop rather than end with people poised on the brink of change and no guarantees things will turn out well. Hadley’s work, very much in the realistic tradition of classic English fiction, is old-fashioned in the best sense: Characters’ personalities and backstories are fully drawn and set against thickly detailed physical and social surroundings. The childhood home where three middle-aged sisters assemble to visit their hospitalized mother in “The Bunty Club” is “a stolid Victorian villa” set on a hillside dotted with houses “intended to accommodate a certain sort of privileged, discreet, unexceptional, unchanging middle-class existence—which had changed after all, because it hardly existed any longer.” Hadley shifts through each of the at-odds sisters’ perspectives, a frequent technique of hers to remind us that people’s inner lives do not necessarily match others’ views of them. This is particularly effective in “Dido’s Lament,” which portrays a chance encounter between a former husband and wife almost entirely from her point of view until the very end, when a glimpse into his thoughts shows that the comfortable, affluent post-divorce existence she has glimpsed with chagrin is “all so that [she] could get to visit it some day, and see that he’d managed to have a life without her.” The mastery she has honed over a decades-long career makes Hadley’s gaze as sharp as her empathy is expansive; each tale feels as satisfying as a full-length novel despite—or perhaps because of—the ambiguous endings.

A pleasure to read, with characters and themes that linger long after the final page.

Pub Date: July 11, 2023

ISBN: 9780593536193

Page Count: 240

Publisher: Knopf

Review Posted Online: April 10, 2023

Kirkus Reviews Issue: May 1, 2023

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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