A not-quite-persuasive account of passion and revolution.
England in 1967, when conventions and the establishment are being spurned by a new generation, is mirrored in the sudden implosion of a middle-class family.
Could the Fischers, resident in the “odorous thick peace of the suburbs,” with their private schools and tennis clubs, be any more typically bourgeois? Decent Roger Fischer is a senior civil servant at the Foreign Office, providing comfortably for his attractive wife, Phyllis, teenage daughter, Colette, and precocious son, Hugh. But a social revolution is coming, and “the whole deadly enticement of a bourgeois life, ordered and upholstered and bathed in warm light,” is about to be torn asunder, as reflected in Phyllis’ impulsive involvement with disapproving young visitor Nicky Knight. Enraptured, sexually smitten, and naïvely awakened to issues of politics, injustice, and race, Phyllis abandons everything to be with Nicky, immersing herself in a new bohemian life in a run-down corner of London, smoking dope, befriending a Black nurse from Grenada, and earning a tiny income from odd jobs. Colette, too, becomes unbound by her mother’s actions, while Roger must confront lies and loves past that are tightly interwoven into the new scenario. A fine chronicler of domesticity, of social status and psychological nuance, Hadley has set up easy targets for herself in this narrowly populated tale marked by stark symbolism, from Phyllis’ abrupt change of course to the decaying, once-grand art deco apartment building where Nicky and others of his freethinking ilk live, surrounded by a wasteland bulldozed in preparation for an enormous elevated highway. Talk of the Paris uprising and the anti-Vietnam protests evoke the era, but the novel offers more emotional solidity in what is being left behind—reflected in Roger’s bewildered endurance—than in what lies ahead.
A not-quite-persuasive account of passion and revolution.Pub Date: Feb. 1, 2022
ISBN: 978-0-06-313777-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 3, 2021
Kirkus Reviews Issue: Dec. 1, 2021
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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