Next book

IN FAIRYLAND

THE FINEST OF TALES BY THE BROTHERS GRIMM

A sprightly collection of perennially entertaining Grimm tales introduces Fischer’s brilliant illustrations to a new...

A selection of Grimm fairy tales showcases the late Fischer’s illustrations.

“The Musicians of Bremen” displays Fischer’s signature lively, minimalist black outlines brushed with bits of bold color to represent the clever animal musicians, judiciously arranged across pure white backgrounds. For night drama, the animals appear as black silhouettes against dark blue. In “Riff-Raff,” Fisher draws the self-indulgent rooster and hen with rougher, freer lines and uses what looks like colored pencil in muted hues instead of ink, orchestrating their hilarious antics against his preferred white backdrop. The wily, heroic cat in “Puss in Boots” is rendered in expressive, sketchy black-pencil outlines, capturing his facial expressions and postures. Vignettes of the cat alternate with full- and double-page dramatic scenes. “Rum-Pum-Pum” features characters from Grimm tales drawn in black pen and ink; they march across plain pages in joyous, wordless visual processions. The final section, entitled “Fairy Tale Pictures,” provides the full texts of “Red Riding Hood,” “Lucky Hans,” “The Hare and the Hedgehog,” “The Brave Little Tailor,” “Hansel and Gretel,” and “The Seven Ravens” with an impressive single-page, black-and-white drawing for each tale, visually incorporating its sequential events in surprising detail. Overall, the vigorous, energetic, humorous, visually delightful folk quality of Fisher’s art proves the perfect match for this Grimm assemblage. A brief biography of the artist concludes the collection.

A sprightly collection of perennially entertaining Grimm tales introduces Fischer’s brilliant illustrations to a new generation. (Fairy tales. 4-8)

Pub Date: March 5, 2019

ISBN: 978-0-7358-4339-4

Page Count: 144

Publisher: NorthSouth

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Dec. 15, 2018

Next book

PROFESSOR ASTRO CAT'S SPACE ROCKETS

From the Professor Astro Cat series

Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit.

The bubble-helmeted feline explains what rockets do and the role they have played in sending people (and animals) into space.

Addressing a somewhat younger audience than in previous outings (Professor Astro Cat’s Frontiers of Space, 2013, etc.), Astro Cat dispenses with all but a light shower of “factoroids” to describe how rockets work. A highly selective “History of Space Travel” follows—beginning with a crew of fruit flies sent aloft in 1947, later the dog Laika (her dismal fate left unmentioned), and the human Yuri Gagarin. Then it’s on to Apollo 11 in 1969; the space shuttles Discovery, Columbia, and Challenger (the fates of the latter two likewise elided); the promise of NASA’s next-gen Orion and the Space Launch System; and finally vague closing references to other rockets in the works for local tourism and, eventually, interstellar travel. In the illustrations the spacesuited professor, joined by a mouse and cat in similar dress, do little except float in space and point at things. Still, the art has a stylish retro look, and portraits of Sally Ride and Guion Bluford diversify an otherwise all-white, all-male astronaut corps posing heroically or riding blocky, geometric spacecraft across starry reaches.

Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit. (glossary) (Informational picture book. 6-8)

Pub Date: Sept. 4, 2018

ISBN: 978-1-911171-55-3

Page Count: 32

Publisher: Flying Eye Books

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Next book

BIG BOOK OF THE BODY

A broad, if hardly more than skin-deep, introduction to the topic.

Four double-foldout spreads literally extend this first gander at our body’s insides and outsides—to jumbo, if not quite life, size.

Labels, basic facts, and one-sentence comments surround full-length cartoon images of the skeleton, musculature, and major sections of the body on the foldouts. Selected parts from the brain on down to blood cells are covered on the leaves in between. Lacey dishes out explanations of major body systems and processes in resolutely nontechnical language: “When you eat, food goes on a long twisty journey, zigzagging through tubes and turning into a soupy mush for your body to use.” It’s lightly spiced with observations that, for instance, the “gluteus maximus” is the largest muscle or the spine is made up of “vertebrae.” So light is the once-over, however, that the lymphatic, renal, and most of the endocrine systems escape notice (kidneys, where are you?). Moreover, though printed on durable card stock, the foldouts make for unwieldy handling, and on some pages, images are so scattered that successive stages of various processes require numbering. Still, Web links on the publisher’s page will presumably help to cover the gaps (unavailable for review). An overview of human development from fertilization to adulthood precedes a closing flurry of height extremes and other “Amazing body facts” that provide proper closure for this elementary survey.

A broad, if hardly more than skin-deep, introduction to the topic. (Nonfiction. 6-8)

Pub Date: Jan. 1, 2016

ISBN: 978-0-7945-3596-4

Page Count: 16

Publisher: Usborne

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

Close Quickview