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THE SHOEMAKER AND THE ELVES

AN INTERACTIVE CHILDREN'S BOOK

With the thumbnail page scroll and the ability to turn wooden text and narrative off, kids can easily navigate and enjoy...

This classic tale of karma, retold in rigid rhyme and re-tooled with a different moral than the original, will enchant more with its activities than with its storytelling.

While there is passing mention of his generosity on the first page, the Grimms' humble shoemaker who shared his good fortune with those less fortunate is nowhere to be found here among the musical shoes and creaky shelves. This shoemaker sells his shoes "for a lot of cash" and says, "if I work hard...I will be rich"—even though it is clear that he's not the one who is making the shoes! Illustrated in warm hues, every page is rich with touch animation, and the real charm of this app lies in the variety of interactions it offers. Kids can toss around all the tools in the shoe shop, open doors and windows, light and extinguish candles and even clear away cobwebs. All of the characters, right down to the mice in the corner, move and play, sigh, snore and even dream. The musical-shoes keyboard is tuned to sound great no matter how it is played, and many pages have features that respond to tilting the iPad.

With the thumbnail page scroll and the ability to turn wooden text and narrative off, kids can easily navigate and enjoy what this app has to offer. (iPad storybook app. 4-7)

Pub Date: May 13, 2011

ISBN: N/A

Page Count: -

Publisher: TabTale

Review Posted Online: June 12, 2011

Kirkus Reviews Issue: July 15, 2011

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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