by The Brothers Grimm ; illustrated by Loek Koopmans ; translated by Polly Lawson ‧ RELEASE DATE: Sept. 4, 2018
Although an additional purchase for most purposes, this might have a place in a religious school or for a family of faith.
Bigger houses, more important titles: sounds like the wishes of many of today’s professionals and entrepreneurs.
But wait! This is an old tale of envy. This version of “The Fisherman and His Wife” hews closely to the original, although some significant (and unattributed) changes have been made. Here Isabel, the wife, asks to be a queen (not a king), and her wish to be pope (perhaps to smooth out the original’s overtly Christian content) is elided, the text jumping straight to her even more outrageous desire to be God. When the couple is reduced to living under an “old broken pot” once again (like a chamber pot, taken from the German “pissputt”), Isabel realizes that luxury and palaces never made her content, again deviating from the original. She moralizes: “God on Earth lived a simple life full of love and kindness, and I’m happy to live like that too.” The story is smoothly told, with fisherman Thomas’ dialogue to the fish introduced in rhyming verse. The sea roils in a wilder and wilder manner as the fish grows angrier and angrier with Isabel’s demands. The delicate paintings often have an ethereal, abstract quality, as in the picture of Isabel on an emperor’s golden throne, with a long flight of steps leading up to an indistinct, richly dressed seated figure. Poor Thomas sits at the bottom, turned away from her, holding his head, sad and scared, when she makes her last imperious request. Thomas and Isabel both present white.
Although an additional purchase for most purposes, this might have a place in a religious school or for a family of faith. (Picture book/fairy tale. 4-7)Pub Date: Sept. 4, 2018
ISBN: 978-1-78250-524-2
Page Count: 24
Publisher: Floris
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by The Brothers Grimm ; illustrated by Hans Fischer ; translated by David Henry Wilson
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by The Brothers Grimm ; illustrated by Sybille Schenker
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by The Brothers Grimm & Erik Forrest Jackson illustrated by Owen Richardson
by Chana Ginelle Ewing ; illustrated by Paulina Morgan ‧ RELEASE DATE: Sept. 3, 2019
Adults will do better skipping the book and talking with their children.
Social-equity themes are presented to children in ABC format.
Terms related to intersectional inequality, such as “class,” “gender,” “privilege,” “oppression,” “race,” and “sex,” as well as other topics important to social justice such as “feminism,” “human being,” “immigration,” “justice,” “kindness,” “multicultural,” “transgender,” “understanding,” and “value” are named and explained. There are 26 in all, one for each letter of the alphabet. Colorful two-page spreads with kid-friendly illustrations present each term. First the term is described: “Belief is when you are confident something exists even if you can’t see it. Lots of different beliefs fill the world, and no single belief is right for everyone.” On the facing page it concludes: “B is for BELIEF / Everyone has different beliefs.” It is hard to see who the intended audience for this little board book is. Babies and toddlers are busy learning the names for their body parts, familiar objects around them, and perhaps some basic feelings like happy, hungry, and sad; slightly older preschoolers will probably be bewildered by explanations such as: “A value is an expression of how to live a belief. A value can serve as a guide for how you behave around other human beings. / V is for VALUE / Live your beliefs out loud.”
Adults will do better skipping the book and talking with their children. (Board book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-1-78603-742-8
Page Count: 52
Publisher: Frances Lincoln
Review Posted Online: Sept. 23, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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by Susannah Buhrman-Deever ; illustrated by Matthew Trueman ‧ RELEASE DATE: May 26, 2020
A simple but effective look at a keystone species.
Sea otters are the key to healthy kelp forests on the Pacific coast of North America.
There have been several recent titles for older readers about the critical role sea otters play in the coastal Pacific ecosystem. This grand, green version presents it to even younger readers and listeners, using a two-level text and vivid illustrations. Biologist Buhrman-Deever opens as if she were telling a fairy tale: “On the Pacific coast of North America, where the ocean meets the shore, there are forests that have no trees.” The treelike forms are kelp, home to numerous creatures. Two spreads show this lush underwater jungle before its king, the sea otter, is introduced. A delicate balance allows this system to flourish, but there was a time that hunting upset this balance. The writer is careful to blame not the Indigenous peoples who had always hunted the area, but “new people.” In smaller print she explains that Russian explorations spurred the development of an international fur trade. Trueman paints the scene, concentrating on an otter family threatened by formidable harpoons from an abstractly rendered person in a small boat, with a sailing ship in the distance. “People do not always understand at first the changes they cause when they take too much.” Sea urchins take over; a page turn reveals a barren landscape. Happily, the story ends well when hunting stops and the otters return…and with them, the kelp forests.
A simple but effective look at a keystone species. (further information, select bibliography, additional resources) (Informational picture book. 4-7)Pub Date: May 26, 2020
ISBN: 978-0-7636-8934-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: Jan. 27, 2020
Kirkus Reviews Issue: March 1, 2020
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by Susannah Buhrman-Deever ; illustrated by Bert Kitchen
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