by The Brothers Grimm & developed by We Are Faces ‧ RELEASE DATE: July 14, 2011
Third-rate art, storytelling and software design put this at the very bottom of the slag heap.
Low production values, generic interactive effects and a chopped-up, poorly paraphrased text sink this version of the cautionary Brothers Grimm tale.
Warning her little ones that “there’s a scary wolf in the forest” (though the cartoon illustrations set the story in a densely populated urban setting), Mama Goat leaves on an errand. Enter the wolf, dressed in jeans, a wife beater and a ’do rag, claiming to be their mother. Failing to gain entrance at first and somehow intuiting that his voice doesn’t sound like hers, the wolf visits a blacksmith who “made it very soft” (one can only wonder how). He eventually eats most of the kids but ultimately drowns in a “well” (actually a park fountain) after Mama Goat replaces them (offstage) with rocks. The brief text is available in English and Russian. The English text is awkward, and several words are mispronounced by the heavily accented narrator—whose voice is also frequently overwhelmed by the loud background music. Taps on various pages activate random beeps from passing cars, loud birdsong and panicky bleats from both the kids and, oddly, their toy blocks.
Third-rate art, storytelling and software design put this at the very bottom of the slag heap. (iPad storybook app. 6-8)Pub Date: July 14, 2011
ISBN: N/A
Page Count: -
Publisher: WE ARE FACES
Review Posted Online: Aug. 15, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by The Brothers Grimm ; illustrated by Hans Fischer ; translated by David Henry Wilson
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by The Brothers Grimm & Erik Forrest Jackson illustrated by Owen Richardson
by Richard Collingridge ; illustrated by Richard Collingridge ‧ RELEASE DATE: July 31, 2018
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
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by Richard Collingridge ; illustrated by Richard Collingridge
by Cleo Wade ; illustrated by Lucie de Moyencourt ‧ RELEASE DATE: March 23, 2021
Inspiration, shrink wrapped.
From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.
Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.
Inspiration, shrink wrapped. (Picture book. 6-8, adult)Pub Date: March 23, 2021
ISBN: 978-1-250-26949-2
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: April 7, 2021
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