Fans of the TV special will be drawn to this edition of the beloved story; others may want to check out the new...
The version of the holiday story that has been shown on television for the past 50 years is the basis for this interpretation of Rudolph’s tale.
Most of the elements of the story everybody knows already are here. As a young reindeer, Rudolph doesn’t fit in due to his glowing nose, and he befriends Hermey, an elf who doesn’t fit in because he wants to be a dentist rather than an assistant to Santa. They set off together and avoid capture by the Abominable Snow Monster with the help of a woodsman named Yukon and his sled-dog team. The rather lengthy text rushes through the plot of the TV special, and there are a few plot developments that are solved without motivation, such as the Abominable Snow Monster’s sudden transformation from enemy to friend. Bright, hard-edged illustrations reflect the animated origins of this version, bearing a flattened appearance, as though a TV image had been captured for reference. Rudolph, Hermey and Santa are attractive characters, and the Abominable Snow Monster offers just a touch of scary menace to be overcome. There’s a none-too-subtle message about accepting those who are different, whether a reindeer with a red nose, a dentally minded elf or residents of the Island of Misfit Toys. Rudolph uses his special red nose to guide the sleigh team, but that accomplishment is curiously downplayed at the conclusion.
Fans of the TV special will be drawn to this edition of the beloved story; others may want to check out the new interpretation of the original story by Robert L. May, publishing on Sept. 30, 2014. (Picture book. 4-8)Pub Date: Sept. 9, 2014
ISBN: 978-1-250-04760-1
Page Count: 40
Publisher: Square Fish
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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