A fascinating look into a prolific author’s mind, especially welcome since there have not been enough English translations...
A memoir caught in the throes of linguistic biculturalism.
“My greatest fear has always been that I might leave myself open to ridicule,” writes Kallifatides, the Greek writer and translator who has spent most of his life in Sweden. “Write something so dire that even the gulls flying over Stömmen would snigger. I was more afraid of writing badly than not writing at all.” He begins at a moment that most writers experience, at times devastatingly so: the inability to write. Frantic about his writer’s block, Kallifatides meditates on the act of writing and its many different shapes. Unlike most memoirs, which follow the writer’s life more or less from start to finish (or present day), this brief book throws readers directly into the author’s exploration of his biculturalism. Born in Greece in 1938, Kallifatides immigrated in 1963 to Sweden, where he spent the majority of his life and wrote his books (in Swedish). When the memoir opens, the author is looking for ways in which he can use his experiences in Sweden to fuel his writing practice—to no avail. So he and his wife set off for Greece to revisit his childhood home and walk through the streets of his lost city. Acting as both citizen and visitor, Kallifatides is stuck between two cultures. This comes at a price, as he has forgotten much of the Greek language. “My forgetfulness was not a coincidence but evidence that I was distancing myself from myself,” he writes. Readers witness the author’s efforts to overcome his writer’s block through countless meditations on a writer’s motivation, the culture interwoven in language, and language as a tool through which identity is created. Kallifatides has written an unusual and refreshing memoir that uses critical theory to explain an individual behavior.
A fascinating look into a prolific author’s mind, especially welcome since there have not been enough English translations of his books.Pub Date: Sept. 25, 2018
ISBN: 978-1-59051-945-5
Page Count: 160
Publisher: Other Press
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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