A new collection that intriguingly sheds light on a famous legend.
An updated retelling of the tales of King Arthur and his knights.
As the uninitiated reader will learn from the preface to this extensive work, the tales of King Arthur, as modern audiences know them, were translated from the French and compiled by Englishman Sir Thomas Malory. A version of his work was set in print for wider consumption by William Caxton in 1485. Then, in 1934, a second Malory manuscript, which was arguably closer to his original intent, was discovered in Winchester, England. This latest rendition by translator Davis (The Canterbury Tales, 2016, etc.) is a lengthy amalgam of the Caxton and Winchester works, retelling what he felt were the “best” parts of each. In this way, the reader is launched into his version of a wild world of knights, chivalry, horses, and bloodshed, with details that may be unfamiliar to many. The work is broken up into individual books; Book Five, for example, sees King Arthur battling his way to Rome, and Book Thirteen details the famed quest for the Holy Grail. Many tales center on the desires of particular knights, and for the most part, those desires extend toward the realm of combat. As depicted here, knights—of which there are many—seem to love nothing more than to attack, preferably on horseback. Jousting is the most common activity, and the text vividly recounts knights being knocked off their perches. At one point, for instance, Sir Tristan deals such a blow to his opponent that the latter “fell upside-down from his horse, and the blood burst out from the vents of his helmet.” However, although these passages are full of action, such scenes eventually become tedious. If anyone ever stops to wonder whether the life of a “Fair Knight” holds any meaning outside of fighting, it is rarely expressed. Still, for those readers who may be expecting a straightforward quest narrative, Davis’ compilation contains a number of unexpected elements, including some highly specific religious detail. Book Two, “The Tale of Balin,” for instance, provides background on Joseph of Arimathea’s involvement with the Holy Grail, and the aforementioned Book Thirteen, about the quest for the artifact itself, also involves an explanation of the parable of Jesus and a fig tree, which appears in the Gospels of Mark and Matthew in the New Testament. Davis’ text can be repetitive in places, and the style of the retelling, as a whole, doesn’t ultimately read with the ease of a modern story. However, many readers will still find it illuminating to see how Davis presents all the parts of the legend of King Arthur that the popular culture has ignored since the days of Malory. Indeed, there are some truly odd moments here; at one point, for example, the great Sir Lancelot kills someone with his bare hands for not letting him ride in his cart, and at another, it’s pointed out that Sir Gawain “loved all kinds of fruit, especially apples and pears.”
A new collection that intriguingly sheds light on a famous legend.Pub Date: March 5, 2019
ISBN: 978-1-79460-760-6
Page Count: 726
Publisher: Time Tunnel Media
Review Posted Online: May 25, 2019
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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