by Thomas Merton ‧ RELEASE DATE: Sept. 27, 1994
Fifth, final, and least satisfying volume of Merton's prodigious correspondence (The Courage for Truth, 1993, etc.). Previous books in this series have presented Merton's letters on writing, spirituality, friendship, and love. This time the prime focus is war, a subject about which Merton, a cloistered Cistercian monk, has little original to say. Mostly composed in the years just before and after the Cuban missile crisis, and usually directed toward peace activists like James Forrest or Gordon Zahn, these letters offer predictable mutterings about the dangers of nuclear holocaust, tendentious attacks on American right-wingers, and cracker-barrel advice on the idiocy of fallout shelters (``Lots of shelters that have been built have caved in or filled with water, etc.''). Occasional forays into religious themes reveal him to be a poor prognosticator as well, as when he misreads Vatican II as a ``tightening of the screws.'' More intriguing are letters concerning a meeting in 1956 between Merton and psychoanalyst Gregory Zilboorg, who, in the words of editor Shannon, labeled Merton ``neurotic in his need to get his own way and pathological in his demand for solitude.'' This harsh evaluation, which Merton seems to accept (``Zilboorg has been terrific''), is bolstered by letters surrounding Merton's vocational crisis of 1959, in which he applies for permission to leave his monastery for a hermitage. When the request is denied by his superiors, Merton at first accepts the decision but soon begins to agitate; tensions run high until he is allowed to enter a hermitage in the 1960s. In this episode and others, Merton comes off as Peck's Bad Boy, endlessly provoking Vatican officials and siding with mischief-makers. Some compensation for all this ego-preening comes near the end, in correspondence with unidentified monks and nuns to whom Merton offers simple, solid spiritual advice (``be patient, pay attention to obedience and to grace, trust God...''). Merton as bore. Try The Seven Storey Mountain instead.
Pub Date: Sept. 27, 1994
ISBN: 0-374-29191-8
Page Count: 400
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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