by Thomas Scotto ; illustrated by Olivier Tallec ; translated by Claudia Zoe Bedrick & Karin Snelson ‧ RELEASE DATE: April 3, 2018
Subtle, joyous, affirming.
Two little boys share an intense friendship.
Narrator Raphael “loves Jerome”—saying it is “easy.” Raphael doesn’t understand why his mother dismisses Jerome as “charming” or why his father says “it’s ‘a pity’ that Jerome doesn’t play soccer.” Jerome “always sees” Raphael, shares snacks, defends Raphael against bullies, and tells great stories. Spending a day with Jerome is pure nourishment for Raphael: “By lunch, we’ve laughed so hard our stomachs hurt. And by dinner, I’ve stocked up enough of Jerome to last me the whole night.” Tallec’s loose line-and-watercolor paintings use gentle humor to introduce them, placing the two boys on bikes, side by side and hand in hand, in front of a line of clearly slowly moving cars: So happy are they that they do not notice. He situates the two boys in scenes suffused in warm colors, their body language mirroring each other’s, as do their pale skin and round, red heads. But when Raphael’s parents get uptight about this bond, the palette darkens to cold, lonely blues. The text is open enough that readers will take what they need from the story. Some children will see simply two very good friends, while others will see validation of feelings they may not know how to express, particularly if their parents are as hostile as Raphael’s. Raphael gives them the language they need: “I say—yes. Raphael loves Jerome. I say it. It’s easy.”
Subtle, joyous, affirming. (Picture book. 4-8)Pub Date: April 3, 2018
ISBN: 978-1-59270-250-3
Page Count: 32
Publisher: Enchanted Lion Books
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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