by Thomas Sowell ‧ RELEASE DATE: Aug. 6, 1997
A father's first-person account of his young son's difficulties in learning to talk, his surprising discoveries about other late talkers, and some intriguing speculation about the causes of this problem. Although clearly a bright boy who understood when spoken to and who displayed unusual analytical abilities (as a toddler, he managed to outwit a child-proof lock), Sowell's son John did not speak until he was almost four years old. When Sowell, a Hoover Institute senior fellow (Migrations and Culture, 1996, etc.), wrote about his son in his syndicated newspaper column, dozens of parents of late-talking children wrote to him. A support group of 55 families representing 57 children eventually formed. Sowell follows the story of his son John—now a successful computer scientist—with numerous anecdotal accounts from these families' letters. Seeing a pattern in their stories, Sowell sent out questionnaires in 1994 and 1996, and the results of the longer 1996 survey are summarized here. He discovered that most of the late talkers were boys, with especially good memories and puzzle-solving skills, that most were slow in their social development and late in toilet training, and that many had close relatives who played musical instruments or were in analytical professions. Sowell, who is more anecdotal than scientific in his approach, is quick to acknowledge that his is a biased sample of late talkers, but he asserts that both professionals and parents should be aware of this pattern of mental abilities and family backgrounds. It may be, he speculates, that some bright children are late in talking precisely because the demands of their analytical abilities, localized in the left half of the brain, are being met at the expense of the speech function. Children like his son, he warns, are frequently misdiagnosed as retarded or autistic and thus risk being placed in special-education classes, from which release may be difficult. Hardly definitive, but should ease the minds of worried parents.
Pub Date: Aug. 6, 1997
ISBN: 0-465-03834-4
Page Count: 192
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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