A father's first-person account of his young son's difficulties in learning to talk, his surprising discoveries about other late talkers, and some intriguing speculation about the causes of this problem. Although clearly a bright boy who understood when spoken to and who displayed unusual analytical abilities (as a toddler, he managed to outwit a child-proof lock), Sowell's son John did not speak until he was almost four years old. When Sowell, a Hoover Institute senior fellow (Migrations and Culture, 1996, etc.), wrote about his son in his syndicated newspaper column, dozens of parents of late-talking children wrote to him. A support group of 55 families representing 57 children eventually formed. Sowell follows the story of his son John—now a successful computer scientist—with numerous anecdotal accounts from these families' letters. Seeing a pattern in their stories, Sowell sent out questionnaires in 1994 and 1996, and the results of the longer 1996 survey are summarized here. He discovered that most of the late talkers were boys, with especially good memories and puzzle-solving skills, that most were slow in their social development and late in toilet training, and that many had close relatives who played musical instruments or were in analytical professions. Sowell, who is more anecdotal than scientific in his approach, is quick to acknowledge that his is a biased sample of late talkers, but he asserts that both professionals and parents should be aware of this pattern of mental abilities and family backgrounds. It may be, he speculates, that some bright children are late in talking precisely because the demands of their analytical abilities, localized in the left half of the brain, are being met at the expense of the speech function. Children like his son, he warns, are frequently misdiagnosed as retarded or autistic and thus risk being placed in special-education classes, from which release may be difficult. Hardly definitive, but should ease the minds of worried parents.
Pub Date: Aug. 6, 1997
ISBN: 0-465-03834-4
Page Count: 192
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
