Heartfelt memoir about the significance of origins and self-identity.
Indian-born journalist and novelist Umrigar (English/Case Western Reserve Univ.; If Today Be Sweet, 2007, etc.) rekindles the emotional contradictions that affected her childhood as a “cultural mongrel” in the ’60s and ’70s.
Umrigar paints a stunningly detailed portrait of her multifaceted Bombay milieu. A Parsi minority in a Hindu-majority country, she attended Catholic school, where Hindi was taught as a foreign language. She defines her upbringing as middle class and captures the sadness of the excruciating poverty below her in India, specifically in her vivid descriptions of the starving child beggars at Chowpatty Beach. Umrigar’s home, a small, spare apartment with a joint-family living arrangement and nosy Parsi neighbors, was the source of much emotional turmoil and recrimination. In animated, anguished prose, the author depicts her mother as an unstable, angry and violent woman “with a tongue that can sting as hard as the cane she uses on me.” Umrigar found refuge in the kindness of her live-in spinster aunt, Mehroo, whose limited status as an unmarried woman is implicitly evoked. Although Umrigar was close to her father, she was too terrified to reveal her mother’s hidden beatings and abuse. The author evokes her volatile emotions in language that conveys the intensity of her pain, yet which may be too flowery for some readers: “My love feels so thick and heavy, it tastes like blood. Or grief.” Stifled at home, Umrigar, “restless and defiant,” sought an unconventional friend who broadened the author’s horizons with such gifts as the Irving Stone biographical novel about Vincent Van Gogh, Lust for Life. Eventually she decided to give up her family moniker of “First Darling in the Morning” and immigrate to America, noting that the desire to resettle was driven mainly by frustration and yearning.
Heartfelt memoir about the significance of origins and self-identity.Pub Date: Nov. 11, 2008
ISBN: 978-0-06-145161-4
Page Count: 320
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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