A smart, thoughtful work that balances romance with intriguing philosophical questions.
A lost soul confronts a lifetime of regrets and the power of art in this novel.
At age 37, Joe Harper has never lived up to his potential. Despite his gift for the guitar and his promise as a philosophy student, he leads a solitary life in Montana, mulling over choices he’s made. A flashback to three years ago sees Joe already starting to grapple with failure when he meets October Danko, a striking performance artist who hires him as her assistant, bringing him back to his hometown of Mill Valley, California. Among the redwoods of his youth, and under October’s empathetic gaze, Joe reflects deeply on his teenage years: the tragic death of his older brother, his difficulty communicating, and his close friendship with Cal Callahan, who helped him find his voice through music. As Joe becomes romantically involved with October, he can’t stop thinking of Cal, who’d urged him to follow his dreams and move to New York City; Joe didn’t take that chance, but Cal went on to find fame. A shocking twist of fate causes Joe’s past and present to collide, and he faces a difficult choice. DeBartolo, the author of How To Kill a Rockstar (2005), plays expertly with the scope of her story: It’s both a clever love triangle and a deeper inquiry into art, communication, and the meaning of success. The central romance feels relatable as the emotive October struggles to help Joe open up, and Joe’s self-deprecating manner makes him a likable narrator. At the same time, descriptions of conceptual artworks, partly inspired by real-world artist Marina Abramovic, lead to big, contemporary questions of human connection. Joe’s squandered potential sparks profound, bittersweet moments, including his acceptance of Cal’s notion that “Everyone is always one decision away from a completely different life.”
A smart, thoughtful work that balances romance with intriguing philosophical questions.Pub Date: Oct. 20, 2020
ISBN: 978-1-949116-30-4
Page Count: 270
Publisher: Woodhall Press
Review Posted Online: Oct. 2, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
