THE MONSTER WHO LOST HIS MEAN

Name: THE MONSTER WHO LOST HIS MEAN
Author: Tiffany Strelitz Haber
ISBN: 978-0-8050-9375-9

by Tiffany Strelitz Haber & illustrated by Kirstie Edmunds ‧ RELEASE DATE: July 17, 2012

Readers will chime in with the “hip, hip hooray” this cuddly-looking creature earns when he finally embraces and celebrates...

bookshelf

Although there are many stories about the perils and rewards of a monster’s turning nice, this one goes a little further, touching upon being rejected by peers, being bullied and eventually being at ease with who one is.

Supposedly each letter in the word “monster” stands for a valuable character trait that all these creatures share: M is for mean, O is for Observant, N is for Noisy, S is for Super Strong, T is for Tough-to-Please, E is for Envious and R is for Remarkable. Sadly, the lime green, rectangular protagonist loses his “M” and his ability to be truly mean. Now he is “just The Onster.” Without his “mean,” he becomes the target of teasing and feels embarrassed when he is caught by the monster pack doing good deeds and fitting in with the more kindhearted and accepting young humans. Even when he purposely tries to do something bad, such as pulling “the flowers out of Mrs. Power’s yard,” he “just can’t bear to harm them, so he waters them instead.” The rhyming text proceeds at a steady clip, and Edmunds digitally renders scenes that aptly depict the monster’s back-and-forth feelings about becoming a nonthreatening, thoughtful and friendly Onster.

Readers will chime in with the “hip, hip hooray” this cuddly-looking creature earns when he finally embraces and celebrates his differences. (Picture book. 4-7)

Pub Date: July 17, 2012

ISBN: 978-0-8050-9375-9

Page Count: 40

Publisher: Henry Holt

Review Posted Online: July 17, 2012

Kirkus Reviews Issue: Aug. 1, 2012

Categories:

CHILDREN'S SOCIAL THEMES

bookshelf

ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

bookshelf

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

bookshelf

IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

bookshelf

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)