A happily multisensory exploration.
Farm animals make realistic noises as youngsters press embedded tactile features.
“Pat the cow’s back to hear her ‘Moo!’ ” Readers can press the fuzzy, black circle on a Holstein cow to hear its recorded noise. This formula is repeated on each double-page spread, one per farm critter (roosters, piglets, lambs and horses). Using stock photography, several smaller images of the animals appear on the left, and a full-page close-up dominates the right. The final two pages are a review of the five farmyard creatures and include a photo of each as well as a review of their sounds in succession via a touch of a button. While the layout is a little busy, the selection of photos and the tactile elements are nicely diverse. The text is simple enough for little ones, encourages interaction (“Can you baa like a lamb?”) and uses animal-specific vocabulary (fleece; mane). The sister title, Noisy Trucks (978-1-58925-609-5), follows much the same format, but, here, the stars are big rigs, monster trucks, fire trucks, backhoes and cement mixers. While the photos will thrill the vehicle-obsessed, the noises are less distinctive, save the fire truck’s siren. The facts about each type of vehicle provide just enough information: “A fire truck has a loud siren, ladders to climb, and hoses that spray water.” Despite the age recommendation of 3 years and up suggested on the back cover, the construction (with the battery secured by screw behind a plastic panel) looks sturdy and safe enough for younger readers.
A happily multisensory exploration. (Board book. 18 mos.-3)Pub Date: Sept. 1, 2013
ISBN: 978-1-58925-610-1
Page Count: 12
Publisher: Tiger Tales
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Leave the hopping to Peter Cottontail and sing the original song instead.
An Easter-themed board-book parody of the traditional nursery rhyme.
Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.
Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)Pub Date: Jan. 5, 2016
ISBN: 978-1-4814-5621-0
Page Count: 16
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: July 1, 2016
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