This clever tale with some insight into historical and cultural details of Chinese-American immigrants is sadly underserved...
When Yao Bai’s father invites him to join an expedition to gather seabird eggs from an island off the San Francisco coast, Yao is excited for the adventure but concerned that pirates might steal their valuable haul.
Yao’s family has moved from Guangdong, China, to a fishing village north of San Francisco, and selling a harvest of the large murre eggs to hungry gold miners will help them pay their fishing taxes and send money back to family in China. Their hoard is in jeopardy, though, when, sure enough, an unknown ship sails into view. Luckily, Yao comes up with a clever plan to trick the pirates and save their eggs. Myers tells an enjoyable folklike tale that weaves in some aspects of the life and culture of Chinese immigrants during the California Gold Rush, including racism emanating from the white pirates. Pang’s illustrations, however, resemble cartoon animations, so what in real life would be a terrifying situation is reduced to a buffoonish portrayal of bad guys versus good guys. A questionable illustration at the conclusion of the story depicts Yao’s family celebrating around a small campfire with one man shirtless in the San Francisco evening weather, conjuring images of the stereotypical "heathen Chinaman" of the 19th century.
This clever tale with some insight into historical and cultural details of Chinese-American immigrants is sadly underserved by its lackluster illustrations. (author’s note) (Picture book. 4-8)Pub Date: April 9, 2019
ISBN: 978-1-5132-6144-7
Page Count: 32
Publisher: WestWinds Press
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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