by Tim Lane , Tim Lane ‧ RELEASE DATE: Feb. 16, 2024
Smart, dynamic writing that brings a very specific 1980s subculture to life.
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In Lane’s historical novel, a college student stumbles his way through the alternative music scene of Flint, Michigan, in the 1980s.
Phil McCormick declares to readers early on that he’s usually doing one of four things: attending his creative writing class at the University of Michigan-Flint, helping his roommate organize punk rock shows, managing a small pizza counter, or selling recreational drugs (or “candy” as he lovingly calls them). Phil also dwells in gritty venues on Flint’s East Side, such as the El Oasis or the Rusty Nail, where club kids and skate punks gravitate to him: “The party must continue to rage despite Ronald Reagan’s trickle down economics,” he explains. Phil spends most of his time with Joe, his charming, popular roommate; Stuart, who goes on such intense benders that Phil often has to carry him back to his dysfunctional family’s home; or Karen, a sharp-tongued marketing major who compulsively steals. Karen is the object of Phil’s affection, but she never seems interested in pursuing a romance with him. As the crew shuffles between dance floors, bathroom drug deals, and greasy diners, Lane creates an episodic, slice-of-life story about youth, rebellion, and an increasingly desolate city on the cusp of economic meltdown. The story of a recently departed friend named Nigel, who managed to escape Flint for Washington, D.C., before ceasing contact with his former posse, provides a loose narrative backbone, but it never builds to anything too surprising or important. The focus is on Phil’s wry, personable, and fascinating point of view regarding this time and place (“It might appear that Flint is composed of different levels of danger on account of the homicides,” Phil says, “but this is something very few of us who are actually from here ever really consider”). All of Lane’s characters feel disaffected and cynical, recalling the fiction of Bret Easton Ellis, but Phil’s charm allows the author to build a world that’s both subversive and inviting. There’s something hopeful and familiar here as his characters head for certain doom—probably because they’re having so much fun.
Smart, dynamic writing that brings a very specific 1980s subculture to life.Pub Date: Feb. 16, 2024
ISBN: 9798218377700
Page Count: 254
Publisher: In Love with Plaid Press
Review Posted Online: April 18, 2024
Kirkus Reviews Issue: June 1, 2024
Review Program: Kirkus Indie
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
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