An imaginative if sometimes rambling collection of short stories.
Miller shares offbeat tales set in Southern California in this collection of literary short fiction.
“Art is a lie that tells the truth.” A creative writing teacher chalks this phrase onto a blackboard in the title story from Miller’s new collection, right underneath the eccentric spelling of “fiction.” The teacher—who has crossed eyes, braces, and a garbled voice—is himself slightly eccentric, as is the story and the 12 others that follow: An unusually tall high schooler attempts to ask a girl to prom while preparing for a presentation on the moons of Jupiter; in a neighborhood full of rumors of death and divorce, a father and his son learn the long, strange tale of their Vietnamese neighbor; an aspiring writer-turned-teacher experiences heart palpitations while preparing a lecture on California’s Channel Islands; an Uber driver gives a 98-year-old man a ride to the airport, where he is asked to go above and beyond the normal expectations of the job; and a motorist realizes he has the power to hear other drivers’ thoughts by staring at them via their side mirrors. Miller’s stories are, at their best, infused with wry humor, as in “The Time I Met Weaver McCracken,” in which the narrator—another of Miller’s numerous aspiring writers—travels to a conference to meet his idol: “I was going over ninety miles an hour, so I eased off the gas and turned on the cruise control. You have to take chances in life, but you have to be smart about them. Like Weaver McCracken, leaving his job as a golf journalist to write golf fiction.” The chatty narration sometimes hides a lack of plot, however, and many of the stories tend to run on without much of a sense of purpose or urgency. (The more successful pieces, like “Manfred Rutherford Junior’s Last Dance,” about the elderly Uber customer, tend to be shorter and less digressive, arranging themselves around a clearer premise or relationship.) Even so, readers will find a wealth of truthful lies to ponder here.
An imaginative if sometimes rambling collection of short stories.Pub Date: Dec. 19, 2022
ISBN: 9798986335872
Page Count: 234
Publisher: Gnatcatcher Press
Review Posted Online: Feb. 5, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
