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GOING AFTER CACCIATO

It's hard not to be of two more or less uneasy minds about this ambitious book. O'Brien (If I Die In A War Zone, Northern Lights) has come directly to his subject—Vietnam—with great formal care and deep knowledge, and yet at least half the time it feels as if he's traveling in someone else's boots. In a fugue of fantasy chapters interspersed with astringently realistic flashbacks, Specialist Fourth Class Paul Berlin endures the life of a foot-soldier in Quang Ngai province; when a grunt named Cacciato—"dumb as a bullet"—one day picks up and sets off through the jungle, destination Paris, Berlin's patrol is sent after him. Fantasy takes over as, through Laos, India, Iran, Greece, and finally Paris, a dream of "possibility" and peace develops that could not be in greater contrast to the hell (in flashbacks) of normal war: the fragging of a by-the-book lieutenant, a medic feeding a dying soldier M&Ms and calling them "pills," desperate basketball games in the jungle. The revulsion, pity, and sheer documentary vividness O'Brien can draw from his real-Vietnam material is truly remarkable. But the fantasy journey and the Cacciato metaphor lack parallel strength: "The real issue was the power of the will to defeat fear. . . . Somehow working his way into that secret chamber of the human heart, where, in tangles, lay the circuitry for all that was possible, the full range of what a man might be." Such fustian/imitation-Hemingway tendencies rub up against balloony characters like a young Vietnamese refugee girl who accompanies the Quixote-like patrol on its mission to Paris and who seems more like an obligation to story than a deeply felt personality. "Where was the fulcrum? Where did it tilt from fact to imagination? How far had Cacciato led them?" Paul Berlin wonders—and so do we as we follow O'Brien through what's too often a large shell that unfairly shadows writing and intelligence of the highest order and honesty.

Pub Date: Feb. 1, 1977

ISBN: 0767904427

Page Count: 347

Publisher: Delacorte

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 1, 1977

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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