by Tim Page ‧ RELEASE DATE: Oct. 1, 1998
Novelist Dawn Powell is rediscovered in a kindly biography that also recalls the hard- drinking literati of Greenwich Village in the decades surrounding WWII. Powell came to New York City from Ohio in 1918. She left behind a scattered and troubled family who were the core of her most successful novels, including the popular My Home Is Far Away, published in 1944. What set Powell apart from the thousands of other eager and determined young people who invaded Manhattan was a sharp wit and an eye for character that was both humane and unflinching. On her arrival in the city, Powell took a series of rent-paying jobs (including a brief stint in the US Navy as a “Yeomanette”), but her writing began selling almost immediately. She also soon met and married advertising executive Joseph Gousha. Although Joe was an alcoholic and Dawn had frequent, albeit for the most part ephemeral, affairs, the marriage lasted 42 years, until Joe’s death. Their only child, Joseph Jr., called JoJo, was autistic, requiring constant attention, hospitalization, and eventually institutionalization. None of this kept Powell from writing—novels, short stories, articles, poems, and plays. Or plunging virtually nightly into the watering holes of Greenwich Village, where she held her own with contemporaries such as John Dos Passos (a good friend), and Gerald and Sara Murphy. Her novels received uneven reviews and for the most part mediocre sales, although she was regarded by critic Edmund Wilson and later Gore Vidal as one of the distinguished authors of her time. She died in 1965 and was buried in a pauper’s grave. A 1987 article by Vidal, published in the New York Review of Books, revived interest in her work and spurred biographer Page (a Pulitzer- winning music critic for the Washington Post and editor of a volume of Powell’s diaries); reprints of most of her novels are now available. Unconvincing in placing Powell at the forefront of mid-century authors, but gratifying to aficionados of New York City literary mores.
Pub Date: Oct. 1, 1998
ISBN: 0-8050-5068-X
Page Count: 348
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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