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A LITERARY TOUR OF ITALY

The author’s deep familiarity with Italian culture informs these intelligent, perceptive essays.

A prolific novelist, memoirist, literary critic, and translator investigates “Italy’s collective imagination.”

British expat Parks (Life and Work: Writers, Readers, and the Conversations Between Them, 2016, etc.), a resident of Italy for the last 35 years, reflects on the nation’s literature and history in this gathering of insightful essays and reviews. All previously published, the pieces focus on writers (Giacomo Leopardi, Eugenio Montale, Ignazio Silone, and Natalia Ginzburg), a few artists (the modernist divisionists and Mario Sironi, championed by the fascists), and three monumental political figures: revolutionaries Giuseppe Mazzini and Giuseppe Garibaldi and dictator Benito Mussolini. Parks aims “to pin down what it is that makes Italian life so characteristically charming and frustrating—so rich on the one hand yet irretrievably stalled on the other.” Italian identity, he concludes, comes from a sense of belonging to groups such as family, friends, region, church, and political party. He often takes issue, therefore, with biographers who fail “to draw on the disciplines of psychology and anthropology” to examine the personal and historical contexts of their subject’s life. He rescues Garibaldi, Italy’s heroic unifier, from a biographer who refuses to “give an account of the moments in battle when Garibaldi’s decisions did affect the course of history” and “has nothing to say about the passions that moved him.” In an astute preface to an edition of The Prince, Parks portrays Machiavelli as “a worldly man and compulsive womanizer” who was imprisoned and tortured, charged with conspiracy. Forced into isolation, he became “fascinated by the way certain personality traits can mesh positively or negatively with certain sets of historical circumstances.” That is a fascination of Parks’, as well, informing his review of several biographies of Mussolini, all of which, in his estimation, fail to offer “a serious psychological study of this unusual mind.” Several pieces—on Sironi, Moravia, and Curzio Malaparte, for example—provocatively probe the connection of artists and writers to fascism.

The author’s deep familiarity with Italian culture informs these intelligent, perceptive essays.

Pub Date: Nov. 29, 2016

ISBN: 978-1-84688-391-0

Page Count: 384

Publisher: Alma Books

Review Posted Online: Sept. 7, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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