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ITALIAN NEIGHBORS

Parks, a lively English novelist (Goodness, 1991, etc.), plunges us into the passionate but genial world of his Italian neighbors on the Via Colombare in a village south of Verona. Be warned: to enjoy Peter Mayle's books on Provence, you need never have been there, while Parks draws you so intimately into life with his bubbling but blinkered and edgy Italians that some hands-on experience with Italy would help for full enjoyment of his pages. Parks and his pregnant wife, Rita, in minor peril from their first day, enter their new apartment and are attacked by a shouting madwoman who claims that the apartment was built for her by its late tenant. The Veronese summer stifles life until the first midnight breeze (which carries mosquitos with it into the bedroom), and the hunting dog Vega—kept ever outdoors in the backyard—howls and scrabbles the whole night through. Every night. Parks describes life at the pasticcerça and what drinks one may drink during various hours of the day without being sneered at as a village idiot. On the Via Colombare, peasant life meets urban, and one's gardening smarts are open to deep derision or mild approval. Buildings must be earthquake-proof, with ceramic-on-concrete floors that carry the sound of a dropped coin or a toilet flush in the night like an act of terrorism ringing everywhere. So it goes—and, after ten years, Parks is still there. Always zestful, sometimes gripping—but perhaps mostly for those who remember winter chestnuts toasting over a coal brazier. Much verve.

Pub Date: July 1, 1992

ISBN: 0-8021-1531-4

Page Count: 328

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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