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THE BOY IN THE BURNING HOUSE

Old sins come home to roost in this taut, terrifying psychological thriller, set largely on an isolated Canadian farm. Fourteen-year-old Jim has gotten past more-than-half-serious suicide attempts and an episode of mutism in the wake of his beloved father’s sudden disappearance. But the pain is still sharp enough to leave him vulnerable when tough, wild teenager Ruth Rose suggests a connection between that disappearance and her stepfather, popular local minister Father Fisher. She herself claims to be in danger. According to Fisher, Ruth Rose is mentally and emotionally unbalanced (skittish, violent, and subject to sudden mood swings, she certainly acts the part)—but she plants a seed in Jim that grows into suspicion, as he finds revealing family photos, learns from old newspaper accounts of a fire that claimed a boy’s life, and catches hints of an ugly side to Fisher that his congregation never sees. As Ruth Rose knows and Jim discovers, Fisher makes a scary adversary: brilliant, plausible, utterly ruthless, able to play on Jim’s grief like a musical instrument. As it turns out, Fisher has more than one terrible secret to hide, but the young people here are so overmatched that the tale loses some credibility when he allows himself to be caught in a conventional climactic standoff with police. That bit of contrivance aside, Wynne-Jones (Stephen Fair, 1998) weaves a strong, sensitively observed cast, plus themes of inner conflict, unlikely friendships, and the enduring power of hate, into a powerful tale that will grip readers from start to finish. (Fiction. 11-15)

Pub Date: Sept. 11, 2001

ISBN: 0-374-30930-2

Page Count: 224

Publisher: Melanie Kroupa/Farrar, Straus & Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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MONSTER

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...

In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.

Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)

Pub Date: May 31, 1999

ISBN: 0-06-028077-8

Page Count: 280

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1999

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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