Demonstrates the courage of following your heart.
Big feelings call for a big valentine.
Bobby, a tan-skinned youngster with round spectacles, is smitten with his best friend, Eddie, a brown-skinned boy with a gap-toothed smile. Bobby and Eddie are inseparable. They ride bikes, they bake cookies, and for Halloween they even dress up together as a knight and prince. For Valentine’s Day, Bobby wants to show Eddie how much he means to him with a very special card. He has some pretty bold criteria: “The card would have to be colorful…and sparkly…and BIG! As big as Bobby’s heart felt when they were together.” Bobby creates a large heart cutout with many layers of meaning (and many layers of glue). Along the way, he has flashes of insecurity but also strong moments of resolve. “He [has] to believe that Eddie [will] always be by his side.” When the pair meet at school, Eddie has an equally large card for Bobby. In an explosion of hearts, rainbows, butterflies, and sparkles—along with the biggest, most joyful smiles on the two tots’ faces—Bobby and Eddie show the world their true feelings. Woitas expertly charts the quiet but potent dramas that Bobby experiences, while Sonda’s art—which turns delightfully childlike for images of the card—sets a gentle tone. This is a charming queer read-aloud, ideal for Valentine’s Day or at any time of year.
Demonstrates the courage of following your heart. (Picture book. 4-7)Pub Date: Dec. 10, 2024
ISBN: 9780593659779
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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