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WINGS TO SOAR

Friendship, family, and identity form the core of this heartfelt but uneven story.

A displaced girl’s hope takes wing in this verse novel.

The year is 1972: Ten-year-old Viva opens the story by asserting that her name is not “refugee.” Expelled from their Kampala, Uganda, home by President Idi Amin, Viva’s family, who are of Goan Indian origin, end up in a resettlement camp in England. As Viva, Mummy, and her sister, Anna, try to understand their new lives, they wait impatiently for news of Daddy, who’s the family’s “hope holder” and meant to be joining them soon. They also dream of their eventual departure for Canada. The family’s story is underscored by racism, alienation, and upheaval, even as Viva sometimes discovers “little cups of happiness.” The refugee crisis of the Ugandan Asians is a tragic episode from history that’s rarely explored in children’s fiction. Athaide’s book starts with a lot of promise and has an interesting format that includes photographs, correspondence, and definitions of vocabulary interspersed among the poems (Viva is a logophile; she also has a fondness for Diana Ross). The book is at its strongest when the text describes Viva’s yearning for her family to be reunited and the hatred the refugees faced in a Britain where anti-immigrant feelings were on the rise; these segments are searing and honest. Unfortunately, the execution falters as the book progresses, and the writing in the later portions is not as strong.

Friendship, family, and identity form the core of this heartfelt but uneven story. (author’s note, photo credits) (Verse historical fiction. 10-14)

Pub Date: July 23, 2024

ISBN: 9781623544317

Page Count: 352

Publisher: Charlesbridge Moves

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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