Honest words and arresting characters model the essential elements for one of life’s most difficult conversations.
A community of birds finds, mourns, and buries one of their own.
Margaret Wise Brown’s The Dead Bird, illustrated by Remy Charlip in 1958 and then by Christian Robinson in a 2016 edition, portrayed children discussing death’s finality and enacting grown-up rituals over a deceased bird. This Dutch import is imbued with a kindred spirit, although here the childlike, direct dialogue comes from within the flock. On an overcast, gray-green day, a bird observes the still creature. This realist assures the shocked newcomers who gather that the prone bird is not sleeping: “On your back + feet up = dead” and “You see, it can all be over in a heartbeat.” As in any group, one member is task oriented (wanting to take care of the burial), while some focus on protocol (what to say, what to sing); many cry. Some are bossy; others are peacekeepers. The creators imbue the tale with humorous and poignant touches. Each bird has a distinct shape, and exquisitely designed, mixed-media, patchwork collages take the place of plumage. Snippets of pink add warmth. Sun rays break through the clouds after the funeral, offering a jumping-off point to a spiritual dimension for those who are so inclined. As tea, worms, and cake are served at nightfall, the bereaved remind each other that although forever is final, Bird will always live on in their heads.
Honest words and arresting characters model the essential elements for one of life’s most difficult conversations. (Picture book. 4-7)Pub Date: March 26, 2024
ISBN: 9781778401176
Page Count: 40
Publisher: Greystone Kids
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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