Honest words and arresting characters model the essential elements for one of life’s most difficult conversations.
A community of birds finds, mourns, and buries one of their own.
Margaret Wise Brown’s The Dead Bird, illustrated by Remy Charlip in 1958 and then by Christian Robinson in a 2016 edition, portrayed children discussing death’s finality and enacting grown-up rituals over a deceased bird. This Dutch import is imbued with a kindred spirit, although here the childlike, direct dialogue comes from within the flock. On an overcast, gray-green day, a bird observes the still creature. This realist assures the shocked newcomers who gather that the prone bird is not sleeping: “On your back + feet up = dead” and “You see, it can all be over in a heartbeat.” As in any group, one member is task oriented (wanting to take care of the burial), while some focus on protocol (what to say, what to sing); many cry. Some are bossy; others are peacekeepers. The creators imbue the tale with humorous and poignant touches. Each bird has a distinct shape, and exquisitely designed, mixed-media, patchwork collages take the place of plumage. Snippets of pink add warmth. Sun rays break through the clouds after the funeral, offering a jumping-off point to a spiritual dimension for those who are so inclined. As tea, worms, and cake are served at nightfall, the bereaved remind each other that although forever is final, Bird will always live on in their heads.
Honest words and arresting characters model the essential elements for one of life’s most difficult conversations. (Picture book. 4-7)Pub Date: March 26, 2024
ISBN: 9781778401176
Page Count: 40
Publisher: Greystone Kids
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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