MANSLAUGHTER PARK

“Let other pens dwell on guilt and misery,” Jane Austen advised readers of Mansfield Park; in this third and final series entry, Price takes Austen at her word.

Fanny’s sense of duty and romantic hopes for Edmund (who is her cousin through marriage, not blood) have kept her at Mansfield Park, where she’s mistreated, serving as the family gofer to her bullying, selfish Bertram relatives. Painting is Fanny’s passion: She’s thrilled when Sir Thomas Bertram, her guardian, praises her work—then horrified when he tumbles down a staircase to his death shortly thereafter. Discovering evidence of a hidden tripwire that caused the fall, Fanny investigates, aided by a less-than-enthused Edmund, who is also a ward of the Bertrams. Lizzie Bennet and Mr. Darcy provide sleuthing expertise as more shocks follow. Sir Thomas was being blackmailed, and his estate’s deeply indebted. Funds held in trust for Edmund and Fanny are also gone. When the Bertrams seek help restoring their fortunes by selling off their art, advised by their new acquaintance Henry Crawford, Fanny is as skeptical of his intentions as she’s overwhelmed by her feelings for his beautiful sister. Explaining complicated art-fraud conspiracies occupies too much narrative real estate. However, choosing a less-popular Austen novel frees Price to take narrative risks and detours that enliven the proceedings. Major characters are White.

A high-concept mashup; series fans won’t be disappointed.