by Thé Tjong-Khing & illustrated by Thé Tjong-Khing ‧ RELEASE DATE: Sept. 1, 2012
This offbeat pictorial adventure won't be to all tastes, but it should prompt storytelling fun for both adults and children.
A scene of pastoral calm and beauty spins out into chaos.
The story is told entirely in pictures, 12 busy two-page spreads. Many things are happening on a wide stretch of bright green grass, with the edge of a forest in the background. A mother squirrel and her young son walk down a grassless path, two rats sunbathe side by side, a mother rabbit lays out a picnic for a variety of small animals. (All the animal characters wear clothing and walk on two feet.) In the background are four small houses. The third shows a mishap, with a dog in a striped shirt outside working hard at making a cake. His efforts are continually disrupted, first by an errant soccer ball and then by another dog, clad in dress and apron, chasing a fly. As the pages turn, the activity continues and accelerates. The pigs who live in the second house do some painting on a ladder; three monkeys perch on the roof of the first house; a fox and rabbit dig a deep hole near the path. Activity turns to bedlam, with a raccoon tracking paint into the fourth house and the ladder toppling over and almost everyone rushing into the woods. What exactly is happening? Much is left for the reader's imagination to fill in.
This offbeat pictorial adventure won't be to all tastes, but it should prompt storytelling fun for both adults and children. (Picture book. 4-7)Pub Date: Sept. 1, 2012
ISBN: 978-1-8775-7910-3
Page Count: 32
Publisher: Gecko Press
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Alice Walstead ; illustrated by Andy Elkerton
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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