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Home in Motion

A thoughtful, wide-ranging collection exploring the meaning of home that goes far beyond physical location.

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In his latest poetry collection, Nigerian-born and current resident of Northeast England Akinyemi considers multiple pivotal places.

Akinyemi sets these 48 poems at numerous locations throughout the world, including Newcastle upon Tyne, London, and Ekiti, Nigeria. He catalogs his experience of traveling through and living in places as an immigrant or citizen. “My Country” recounts the socio-economic reasons why so many immigrants begin their quest for a better life: “My country’s best brains / Have become scattered grains / Fleeing poverty chains.” A sad look at the ignorance and intolerance some have toward those seeking new beginnings, “Far Right” begins: “I pledged my allegiance to the king. / & the far right / is spewing rhetoric—triggering. / Say my blue blood // is contaminated. / Bloody immigrant.” But perhaps the poem that most powerfully embraces Akinyemi’s theme of perseverance and hope is “Freedom Song,” which is simultaneously lyrical, philosophical, and inspiring: “I am singing a freedom song / Birthed from chaos & winds of fury. / My country has excreted its youth & turned them / Into wingless birds… I was once asked, ‘What does home mean to you?’ / I retorted, ‘Home is where the heart finds the freedom / to pull at strings of dreams, / strike chords of ecstasy.’” And although the exploration into the concept of home is the significant thread throughout, there are several noteworthy poems that aren’t overtly connected to the primary theme. “Deflowered” recounts the poet’s first speeding ticket in Northumbria, “Sibling War” offers a tongue-in-cheek glimpse into fatherhood, and “Keep Your Minors” is a warning to all parents to protect their children from the evils of this “broken society.” The blend of thematically weighty and mundane subject matter collectively succeeds in limning the complexities of the poet’s current homelife as well as his state of mind—a place where “anyone from anywhere” can find happiness and fulfillment.

A thoughtful, wide-ranging collection exploring the meaning of home that goes far beyond physical location.

Pub Date: July 1, 2025

ISBN: N/A

Page Count: 68

Publisher: The Roaring Lion Newcastle

Review Posted Online: June 9, 2025

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STAY, DAUGHTER

A loving and approachable coming-of-age story about generational change.

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Strict traditions face encroaching modernity in this memoir of a Muslim girl.

The author was a jeweler’s daughter in Ceylon, now known as Sri Lanka, in the community of Galle Fort—at first blush, a traditional Muslim neighborhood. But in the 1950s, things were changing; already, the women of the island went out more than they had in years past and veiled themselves less. Before she reached the age of 12, Azad was allowed to spend time with her Christian friend Penny, ride a bicycle, and wear a bathing suit in public, and her doting, conservative father (whom she calls “Wappah”) was rarely unable to deny his daughter’s wants. However, her father still was committed to “the fierce protection of female honor” and still expected the women of his family to make a “good marriage,” so the author was “brought inside” when she came of age. But she was still interested in furthering her education and charmed by her English friends and Western comic books, so she hoped to attend university in the near future. But after her cousin ran off with a young man and Wappah reacted to the situation in an unexpectedly violent manner, subtle changes to custom and culture became more difficult to achieve. Azad’s debut memoir focuses on her memories of childhood and how she struggled against the more stringent aspects of her Muslim upbringing. However, her story is also the story of Galle Fort as the old-school residents struggled with young people becoming more Westernized. The setting is beautifully drawn, and its history comes alive. Just as important is the author’s father’s journey as a man who’s open to change but unsure of it. The book introduces many facets of Muslim culture with great respect, and Azad stingingly portrays Western prejudices, as when the author’s classmates face ridicule for using henna. She also relates her older family members’ opinions on such subjects as marriage while showing just how radical seemingly small changes can be in a traditional environment.

A loving and approachable coming-of-age story about generational change.

Pub Date: Jan. 3, 2020

ISBN: N/A

Page Count: 249

Publisher: Perera Hussein Publishing House

Review Posted Online: March 24, 2020

Kirkus Reviews Issue: May 1, 2020

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THE MAGICAL APPEARANCE OF EARTHWORMS

Observant, affecting writing about an Australian childhood.

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Moncrief’s debut memoir recalls the joys and sorrows of growing up in an Australian country town.

“It was the late 1960s,” remarks the author, “but we were still living in what was effectively 1950s rural Australia.” Along with his older brother, Darren, Moncrief was raised in Tilburn, 30 miles outside of Melbourne. The memoir focuses predominantly on vivid memories from the author’s childhood in a quiet town where “everyone minded their own business and kept mostly to themselves.” Moncrief recalls journeys to a racetrack with his father, who trained horses, befriending a lizard that lived under the back step of the family home, and nursing an injured sparrow back to health. These sensitive recollections are interspersed with tales of cruelty and abuse. As a young boy, the author admits, he received so many bloody noses from his brother that one of his nostrils became “permanently blocked.” The memoir also charts the author’s coping with his parents’ divorce and grappling with adolescence. Each chapter is built around a particular person or event that left an impression on the author’s young mind. One, for example, discusses the author’s first sight of a pregnant woman and his father’s remarking, “pregnant women are beautiful.” This heavily anecdotal approach has the potential to grow tiring, but Moncrief avoids that by capturing a young boy’s naiveté in a satisfyingly amusing manner: “I couldn’t imagine what was wrong with her—that big, swollen stomach bursting forth from her body!” The author has the power to tug at the reader’s emotions—after his lizard was killed by a bully, he writes sorrowfully: “[I] pushed his little body into the crack from where I’d taken him the night before. ‘I’m so sorry, little mate,’ I said. ‘I love you so much.’ ” Moncrief puts a recognizably Australian stamp on the memoir by using Aussie vernacular, from dunny (toilet) to chooks (chickens). Tenderly evoking the minutiae of childhood while celebrating liberation from its horrors, this thoughtfully written, well-balanced book will encourage readers to reflect on their own upbringings.

Observant, affecting writing about an Australian childhood.

Pub Date: Jan. 13, 2020

ISBN: 978-1-72839-716-0

Page Count: 234

Publisher: AuthorHouseUK

Review Posted Online: April 22, 2020

Kirkus Reviews Issue: June 1, 2020

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