It’s got a few quirky bits, but it’s lackluster overall.
Pop-up dinosaurs, both fossilized and fully fleshed out, join Mesozoic contemporaries in a series of museum displays.
The single-topic spreads are up-to-date but designed to evoke the dusty atmosphere of old-style dinosaur halls (emphasizing this conceit, some are even labeled “Rooms”). They combine cramped blocks of information in smallish type with images of beasts and bones done in a style that resembles the faded naturalism of early-20th-century museum murals—or, in the “Fossil Room,” a desktop covered in paleontological notes with paper clips and coffee stains. Occasional inset spinners and attached booklets supply additional dino details. A tab-activated flipbook attempts to demonstrate tectonic drift, but readers have to go fairly slowly to assimilate it all, which blunts the effect. Amid pale silhouettes representing modern museum visitors, the prehistoric creatures, nearly all of which are small and drably colored, rear up individually or parade along in sedate, motley groups until a closing display and mention of genetic engineering promise a possible future with pet velociraptors.
It’s got a few quirky bits, but it’s lackluster overall. (Informational pop-up picture book. 7-9)Pub Date: Sept. 26, 2017
ISBN: 978-0-7636-9687-0
Page Count: 14
Publisher: Candlewick
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tad rough around the edges but, visually, at least, a keeper.
A planet's-eye view of some recent visitors from Earth—one in particular.
In measured, deceptively solemn prose, the narrator (Mars itself, as eventually revealed) gets off to a shaky start, observing that the rover rolls on and on, making straight tracks that confusingly become a tangle on the next page. Things settle down thereafter: “It observes. Measures. Collects. It is always looking for water. Maybe it is thirsty.” Roy matches the tone with a set of broad, rugged, achingly remote-looking Mars-scapes that culminate in a wildly swirling dust storm followed by a huge double gatefold: “Everything is… / RED as far as the eye can see. But it is beautiful.” Curiosity itself she depicts with almost clinical precision (though its wheels look different from different angles), adding a schematic view at the end with select parts and instruments labeled. Following playful nods to other rovers along the way (Spirit and Opportunity “had a spirit of adventure and seized every opportunity to explore”), a substantial quantity of backmatter includes more information about each one—including the next one up, Mars 2020—as well as about the fourth planet itself. For audience appeal it’s hard to beat Markus Motum’s cheerfully anthropomorphic Curiosity: The Story of a Mars Rover (2018), but the art here, in adding a certain grandeur and mystery to the red planet, has an appeal of its own.
A tad rough around the edges but, visually, at least, a keeper. (bibliography) (Informational picture book. 7-9)Pub Date: Oct. 29, 2019
ISBN: 978-1-250-19833-4
Page Count: 44
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
Serviceable as assignment fodder or as a gateway to more searching studies.
A short, occasionally revealing profile of an immigrant who got the job done.
Joining other children’s-book creators attempting to ride the Broadway phenomenon’s coattails, Adler creates a distant, even staid, portrait of Hamilton’s character. Opening and closing with accounts of the Burr duel, he also drops in a few too many names without sufficient context. Still, along with noting his subject’s major public achievements in war and peace and making some references to his private life, he does frankly note in the main narrative that Alexander was born to unmarried parents and in the afterword that he was taken in for a time by a family that may have included a half brother. (The author also makes a revealing if carelessly phrased observation that he helped to run a business in his youth that dealt in “many things,” including “enslaved people.”) Collins’ neatly limned painted scenes lack much sense of movement, but he’s careful with details of historical dress and setting. Most of his figures are light skinned, but there are people of color in early dockside views, in a rank of charging American soldiers, and also (possibly) in a closing parade of mourners. Multichapter biographies abound, but as a first introduction, this entry in Adler’s long-running series won’t bring younger readers to their feet but does fill in around the edges of Don Brown’s Aaron and Alexander: The Most Famous Duel in American History (2015).
Serviceable as assignment fodder or as a gateway to more searching studies. (timeline, bibliography, notes) (Picture book/biography. 7-9)Pub Date: Dec. 10, 2019
ISBN: 978-0-8234-3961-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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