Just the kind of dark, disturbing, gritty, and unusual treat thriller lovers are looking for.
When children begin to go missing in a small New Zealand town, the file clerk at the police station turns investigator.
Set in the provincial town of Masterton, Baragwanath's debut is both social novel and thriller, spinning the tensions between the white and Māori populations, the chokehold of street gangs, and the toll of drug addiction on young families into a suspenseful crime drama. As the novel opens, a child named Precious Kīngi has been missing for three weeks, and Lorraine Henry, a policeman's widow who works in the file room at the station, is concerned that almost nothing is being done to find her or to protect the town’s other children. Lorraine's life revolves around her job, drinking gin with her neighbor Patty (people wrongly suspect that they’re lovers), and helping out her adult, part-Māori niece, Sheena, whom she raised after her sister and brother-in-law were killed when returning from a seasonal job shearing sheep. Now Sheena has a 7-year-old son named Bradley, and on a night so rainy there are eels in the gutters, Lorraine heads over to their house. She's greeted at the door by Bradley's mostly absentee father, Keith, a drug dealer and gang member, and she immediately smells "the musty waft" and scorched lightbulbs of cooking drugs. Sheena shrugs off Lorraine's worries but they're well-founded. Sheena is on drugs, Keith is staying with her, and in the next few days, two more children will disappear. And one of them is Bradley. When an out-of-town investigator arrives to ramp up the search, he quickly recognizes Lorraine as the most likely person to offer any help. Resist the urge to race to the climax and keep Google close at hand to look up Māori words, because fully understanding the relationship between Masterton's white and Indigenous cultures is central—not just to appreciating the book but to solving the mystery.
Just the kind of dark, disturbing, gritty, and unusual treat thriller lovers are looking for.Pub Date: Feb. 13, 2024
ISBN: 9780593685105
Page Count: 320
Publisher: Knopf
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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