There’s no magic, black or otherwise, in this cut-and-paste bio.
Lazy, hackneyed biography of the lounge act to end them all.
Former New York Times contributing reporter Clavin (Sir Walter: Walter Hagen and the Invention of Professional Golf, 2005, etc.) provides a gee-whiz look at singer-trumpeter Louis Prima’s Las Vegas heyday with spouse and musical partner Keely Smith. Enthralled by fellow New Orleans native Louis Armstrong, Italian-American Prima began his musical career in the 1920s and became a popular fixture at New York’s during the ’30s. Forced to break up his big band by changing tastes, Prima was down on his heels in 1954 when, out of desperation, he took a gig at the Sahara Hotel’s Casbar Lounge, doing five sets a night from midnight to 6 a.m. Rambunctious Prima, deadpan Smith and their high-voltage band quickly became the toast of Vegas, and they were recording stars pulling down a million-dollar salary by the time divorce broke up their act in 1961. Clavin appears utterly unqualified to parse Prima’s musical style, which combined the sound of the small black R&B combos, who rose during the ’40s as the big-band era waned, with his own Italianate repertoire and extroverted showmanship. The author also provides very few primary sources and offers no explanation of why Smith failed to sit down for an interview. Most of the material is dredged up from past tomes about Vegas’ showbiz and mob history, yellowing press clippings and previous film biographies of Prima. Extreme padding is evident in passages that catalog contemporaneous movie-house attractions and TV broadcasts for no apparent reason. The main narrative is larded further with threadbare recaps of Vegas’ history as a playground for Frank Sinatra’s Rat Pack and gangsters like Sam Giancana. Clavin’s fondness for cliché, idolatrous tone and unwillingness to supply even a glimmering of intelligent analysis make for torturous reading.
There’s no magic, black or otherwise, in this cut-and-paste bio.Pub Date: Nov. 1, 2010
ISBN: 978-1-55652-821-7
Page Count: 240
Publisher: Chicago Review Press
Review Posted Online: July 22, 2010
Kirkus Reviews Issue: Aug. 15, 2010
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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