Timid and superficial.
A teacher seduces a senior at a New England prep school.
Ethan Whitley is new at Berkley Academy in rural Massachusetts. The 17-year-old has transferred from California, where his parents are Stanford professors. His mother has cancer and wants to spare him her suffering. Ethan is not a good fit with the rich kids and the jocks, but he strikes up a friendship with Todd Eldon, who seems to have it all: a pretty, sexually experienced girlfriend and a sophisticated, moneyed background (his mother is a popular novelist in New York City). Underneath, however, Todd is as insecure as Ethan. He is attracted to the Californian’s smarts, and his body, for Todd’s sexual preferences are changing; soon he will dump his girlfriend and make advances toward Ethan, who’s not interested; he’s a virgin, but resolutely straight. Complicating the picture is 36-year-old Hannah McClellan, an English teacher who on the side bakes desserts for the local tearoom. In his second novel (The Trouble Boy, 2004), London-born Dolby tells two coming-of-age stories (one would have been enough) while focusing on teacher-student infatuation, a story line that stretches back to the 1953 Broadway hit Tea and Sympathy. Hannah likes them young and guess what, so did the school’s female founder, who also seduced a 17-year-old. Though sex is the core of the novel, Dolby is reticent about the details, deflecting attention to Hannah’s lurid past in Paris, where she made out with her stepson (her French husband had been cheating on her); the affair ended with the kid’s suicide. Nothing so melodramatic happens this time, though when Ethan tries to extricate himself from her suffocating intensity, Hannah uses her wiles to keep him, even faking pregnancy. When it’s clear not even her scrumptious blueberry cobbler will work, she abruptly leaves the school and is not heard from again, allowing Ethan to start over at Yale. Can healing and closure be far behind?
Timid and superficial.Pub Date: Jan. 8, 2008
ISBN: 978-0-7582-2258-9
Page Count: 320
Publisher: Kensington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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