A smart and fast-paced crime drama that will leave readers wanting more from this author.
A debut thriller set in the shady world of gambling in Chicago.
Farrell’s novel starts off in 2018 at the scene of a gruesome crime. In a cold, abandoned Chicago factory, a small-time gambler has been found dead, with his partially burnt body hanging from a web of ropes. Private investigator Eddie O’Connell is on the scene as a guest of his Uncle Mike, a retired homicide detective whose old partner, Liz, is in charge of the murder investigation. Liz invited the O’Connells to the crime scene because she respects Uncle Mike’s experience and Eddie’s instincts—even though Uncle Mike left the force after an “Internal Affairs inquiry had left a sour taste in his mouth” and Eddie is basically “a bartender with a start-up PI business and a gambling debt.” (Both men also sometimes do occasional investigative jobs for a shady crime boss named Rosario Burrascano.) Eddie suspects that Liz asked them to visit this crime scene because she thinks it might have an organized crime connection; he finds out, however, that he has a personal connection to the case himself: He knows the dead man—or rather, he knew him. He and Jimmy “the Leech” Golding were old comrades at the track, where they spent a lot of time betting on horses. He soon realizes, however, how little he really knew about his pal Jimmy: “We were the kings of the racetrack, and I didn’t learn his full name until last night when they zipped up the body bag.”
The author smoothly and confidently deepens the story, which involves a tangle of conflicting loyalties. As the violence of the so-called Blowtorch Murders increases, Liz comes under intense pressure from her department and the FBI to make faster progress—but because of Mike’s murky connection to Burrascano, she’s forced to keep him at arm’s length from the official investigation. Mike has his own resources in his old department (“loyalties ran deep and Mike O’Connell had helped a lot of officers on the way up the ladder”), but it’s Eddie’s intensifying personal connection to the crimes that forms the true backbone of the book. This can be to the book’s detriment, at times, because it results in no other character being as well developed as Eddie is. However, Farrell also beautifully realizes the setting of Chicago in winter, which helps to enhance the procedural elements of the story. He skillfully unfolds the complicated tale as Eddie delves deeper into the underworld and finds out how it intersects with the impending legalization of sports betting in Illinois. The novel presents a bleak landscape of rival gangs always looking to double-cross one another as well as a memorably startling characterization of the Chicago police and court system. Eddie is just the right kind of noble but flawed hero to travel between the two realms, and Farrell crafts an array of familiar and unfamiliar genre elements into a genuinely gripping read.
A smart and fast-paced crime drama that will leave readers wanting more from this author.Pub Date: Feb. 20, 2021
ISBN: N/A
Page Count: 338
Publisher: Manuscript
Review Posted Online: Feb. 3, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
SEEN & HEARD
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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