by Tom Lichtenheld & illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 27, 2010
Bridget thinks she gets her artistic abilities from the black beret she, along with all the Great Artists, always wears. So when she loses it, her career is over. Days later, her sister asks the stymied Bridget if she’ll paint a sign for a lemonade stand. Can she do it sans beret? Each cartoonish spread—rendered in cheerful watercolors, colored pencil and ink—is riddled with wry references to the art world. Bridget’s artwork on display in the kitchen, for example, is captioned: “She created many masterpieces. Some went on permanent exhibit.” Next to her sidewalk-chalk drawing: “Others were only available for limited viewing.” In comic-strip–style panels, Bridget is shown trying on alternative hats to hilarious effect—Mom’s oversized gardening hat is met with “Draw?! I can’t even SEE!” To the coonskin cap, she simply says “Gross.” A witty, well-shaped story about the dubious necessity of lucky hats and a clever homage to many of the Great Artists and their works, from Leonardo to Warhol. (“How to Start Your Art” idea section) (Picture book. 5-8)
Pub Date: April 27, 2010
ISBN: 978-0-8050-8775-8
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: March 15, 2010
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by Beth Ferry & Tom Lichtenheld ; illustrated by Tom Booth
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by Beth Ferry ; illustrated by Tom Lichtenheld
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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by Loren Long ; illustrated by Loren Long
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More About This Book
SEEN & HEARD
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by John Joven
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