Clearly, watching Bourdain’s shows was nothing like living them, as this high-flying memoir amply demonstrates.
The food-and-travel icon’s longtime director and producer delivers a memoir of incomparable travelogues snatched from the clutch of chaos.
Vitale was consumed by his work with Anthony Bourdain (1956-2018), an adrenalin-fueled ride through three broadcast series in which recklessness was as much a virtue as creativity. Traveling up to 250 days per year, risking life and limb, often in some of the most perilous places in the world, the director of No Reservations, The Layover, and Parts Unknownflirted with nervous breakdowns and imminent catastrophe as Bourdain constantly increased the stakes on whatever project was at hand. Vitale’s memoir of those years—and of the vacuum in his life following Bourdain’s suicide—is a fascinating insider’s account of the making of groundbreaking TV. It is also the most complete picture yet of Bourdain’s complex and conflicted character—along with Laurie Woolever’s oral biography, Bourdain, publishing in the same month. “Tony was naturally telegenic,” writes Vitale, “possessing an unmistakable star quality….But even more alluring was his antagonistic, devil-may-care, combative relationship with the very machine that created his fame.” Vitale’s writing is seductively alive, pulsating with events and vividly rendered observations of people and exotic locales, hairbreadth escapes, and all the high-wire escapades, cultural revelations, and ethical questions that accompanied being Bourdain’s traveling companion. Everything that could go wrong generally did, yet that frequently resulted in a better product than the original script. Vitale admits that he struggled to articulate his own story, but if he was worried he was not up to the challenge, he can put those fears to rest. Drawn from show footage, notebooks, logs, travel itineraries, e-mails, and old receipts, his book is thrilling, sobering, harrowing, and as entertainingly frenetic as the events described, a tale told by a survivor still trying to make sense of it all.
Clearly, watching Bourdain’s shows was nothing like living them, as this high-flying memoir amply demonstrates.Pub Date: Oct. 12, 2021
ISBN: 978-0-306-92409-5
Page Count: 288
Publisher: Hachette
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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