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ADELITA

A MEXICAN CINDERELLA STORY

Placing this Cinderella variation in upper-class Mexico in the last century, dePaola (A New Barker in the House, p. 409, etc.) has framed the story in a more realistic vein than usual. There are no magical elements, yet the prolific author-illustrator weaves together a very satisfying tale of the beautiful and good Adelita and her sweet young man, Javier, a childhood friend. The fairy godmother is a faithful servant who has always worked for the Mercado family. The dress belonged to Adelita’s mother and instead of the glass slipper, Adelita uses her beautiful rebozo, a shawl covered in birds and flowers, to lead her rich young gentleman back to her after she leaves the fiesta early. The human relationships remain the same: the evil stepmother and the selfish stepsisters are depicted here in the usual way, yet kindly Adelita invites them all to her wedding at the end. Esperanza, the servant who quietly manages to bring an end to Adelita’s sufferings, brings a cart to take her to the hacienda, not a coach made out of a pumpkin. Spanish phrases and their translations are used throughout the text and a list providing pronunciations is given at the end. The acrylic paintings are handsome and dignified, with borders of Mexican tile and many archways giving a graceful unity to dePaola’s signature characters. The rich colors change in tone as sad times, mourning, and great happiness are all depicted in different double-page spreads. The endpapers explode with the lively pattern of the all-important rebozo. Decorative objects, including religious items, pottery, Mexican crafts, and kitchenware give the illustrations an authentic touch. Heartwarming, but not sappy, this version will lead young writers off in many directions as they write their own Cinderella tales in locations of their own choosing. An enjoyable read-aloud, this is a fine addition to the author’s growing collection of stories set in Mexico. (Picture book. 6-10)

Pub Date: Sept. 1, 2002

ISBN: 0-399-23866-2

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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WILD, WILD WOLVES

At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)

Pub Date: April 1, 1992

ISBN: 0-679-91052-2

Page Count: 48

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1992

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GOONEY BIRD GREENE

Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)

Pub Date: Sept. 1, 2002

ISBN: 0-618-23848-4

Page Count: 96

Publisher: Walter Lorraine/Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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