There’s an inexhaustible sweetness to dePaola’s Strega Nona stories, and this is no exception (Night of Las Posedas, 1999, etc.). With their gentle, light-filled colors and strong, simple shapes, the figures of “Grandma Witch,” her cohorts Bambolona and Big Anthony, and the villagers of their Calabrian town fill the pages. This time, Strega Nona is so distracted by a dream of her own grandmother that she almost gives the wrong lotions and potions to the people who come to her with their aches and pains. She remembers her grandma Concetta’s little house by the seashore, and the dream-pictures show the two of them swimming, gathering shells, flowers, and mussels, and gazing out over the water. Strega Nona goes off on vacation to do all of those things again, leaving Big Anthony and Bambolona with careful admonitions. But when she sends gifts back to both, Bambolona wants Big Anthony’s candy, and switches the labels so he gets the bubble bath. Those who remember Big Anthony’s encounter with the pasta pot will figure out the result, as he floats through town with only his feet, hands, head, and rubber ducky visible in the cloud of bubbles. A little dove warns Strega Nona and she heads back to the rescue, noting that next time she goes on vacation she might as well take the two with her. Don’t miss “La gloria di Strega Nona” on the back cover, where Strega Nona does a Botticelli Venus with Big Anthony and Bambolona tossing flowers. (Picture book. 4-8)
Pub Date: Sept. 1, 2000
ISBN: 0-399-23562-0
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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