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SONG OF THE SEA

THE GRAPHIC NOVEL

A bit of Celtic charm.

Ben and his silent younger sister, Saoirse, find themselves on an extraordinary journey.

Stills and some added bits of art reproduce the plot of Moore’s lovely, hand-drawn 2014 animated film, adding an introductory backstory about the children’s selkie mother. Six-year-old Saoirse doesn’t speak, but she can produce a tune from the spiral seashell given to Ben by their mother, calling forth magical lights. As the siblings trek back from the city to their lighthouse home, they must defend themselves against Macha, the Owl Witch, and recover their mother’s selkie coat in order to save themselves, their family, and the faeries. Unattributed lines from Yeats’ “The Stolen Child” set the mood of magic and danger at the intersection of human and faerie. The rich palette in browns, blues, and greens, plus design elements hinting of swirls of Celtic knots and spirals, contributes to the sense of an enchanted countryside. The light-skinned children are sweetly drawn, with round faces, rosy cheeks, and large eyes. Less might have been more here: The narrative, carried by action and dialogue from the original script, has a sense of busyness that can overwhelm the awe and humor of the plot. Even so, the echoes of ancient tales reenacted by contemporary children in a family struggling with loss and reconciliation offer something for thoughtful adventurers. A short tale about a couple who adopt a seal child is appended as a bonus.

A bit of Celtic charm. (glossary) (Graphic fiction. 8-12)

Pub Date: March 7, 2023

ISBN: 978-0-316-43891-9

Page Count: 272

Publisher: Little, Brown

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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