The story will resonate with those on both sides of the debate about the role of youth football in society, and the unusual...
A young athlete lies in a coma while his family and community try to determine the cause of his injury.
Thirteen-year-old Teddy Youngblood collapsed following an intense football practice. At first, the focus is on his injury and the concerns of his family and friends for his recovery. Counselors are brought in to help them with the trauma. The coach’s daughter, Camille, makes a social media page to encourage positive thoughts, but some of the posters hint that something other than a tough hit at practice caused his injury. The doctors encourage family and friends to talk to Teddy, and readers learn much through these comments. Teddy’s family is at odds. His mother, who lives apart, did not want her son to play football, while his dad supported his sports involvement. Also interspersed are Teddy’s thoughts as he lies in the hospital: “This is what life is / Life is football / Football is life.” This nontraditional narrative, using conversations, interview transcripts, text messages, hospital reports, and other documents, skillfully peels back the elements of the mystery. The issues of football’s violence are presented, but the book’s real strength is the depiction of the culture behind it. There are few descriptions to indicate the ethnic makeup of the characters (Teddy’s eyes are described as blue), implying the white default.
The story will resonate with those on both sides of the debate about the role of youth football in society, and the unusual storytelling technique sets it apart from most sport fiction. (Fiction. 10-14)Pub Date: Sept. 11, 2018
ISBN: 978-1-4197-3143-3
Page Count: 304
Publisher: Amulet/Abrams
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An endearing protagonist runs the first, fast leg of Reynolds' promising relay.
Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.
His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.
An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-5015-7
Page Count: 192
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
SEEN & HEARD
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
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